| |
| 2020
| Free Yourself, Thomas Brambilla, Bergamo
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| New Photography, Aurel Scheibler, Berlin
|
| 2018
| Jack Pierson, Independent Art Fair, Spring Studios, New York, NY
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| Folded Photographs, Albert Merola Gallery, Provincetown, MA
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| Jack Pierson & Tommy Kha: Summer, Some Aren't, Teen Party, Brooklyn, NY
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| 2017
| Walking Around, Galerie Thaddaeus Ropac Pantin, Paris
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| Jack Pierson: 5 Shows from the 90s, Aspen Museum, Aspen, CO
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| Angel Youth, Maccarrone, New York, NY
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| Jack Pierson, Regen Projects, Los Angeles, CA
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| Jack Pierson - Marina Karella, Zoumboulakis Galleries, Athens
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| 2016
| Journal, Galerie Sabine Knust, Munich
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| 2015
| Jack Pierson: OMG, Wadsworth Atheneum, Hartford, CZ
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| Jack Pierson: onthisisland, Cheim & Read, New York, NY
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| Jack Pierson, Paintings: 1997–2002, Maccarone, New York, NY
|
| 2014
| Jack Pierson, Albert Merola Gallery, Provincetown, MA
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| Jack Pierson, You Don’t Own Me, Mendes Wood, São Paulo
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| Jack Pierson: A Town Not This One, Villa Kast, Galerie Thaddaeus Ropac, Salzburg
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| Jack Pierson: Memento Mori, Christian Stein, Milan
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| Jack Pierson: Folded Photographs, Xavier Hufkens, Brussels
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| 2013
| THE END OF THE WORLD, Regen Projects, Los Angeles, CA
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| Ennui (La Vie Continue), Galerie Thaddaeus Ropac, Paris
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| 2012
| Jack Pierson: Jesus and Nazimova, Xavier Hufkens Gallery, Brussels
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| 2011
| Jack Pierson: Twilight, Elisabeth Leach Gallery, Portland, OR
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| 2010
| Go There Now and Take This With You, Bortolami Gallery, New York, NY
|
| Jack Pierson: Night, Kukje Gallery, Seoul
|
| Jack Pierson, Regen Projects, Los Angeles, CA
|
| Jack Pierson: New Photographs, Galerie Sabine Knust, Munich
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| Jack Pierson, Regina Gallery, Moscow
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| Jack Pierson: Drawings, Galerie Thaddaeus Ropac, Salzburg
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| Jack Pierson, Galerie Thaddaeus Ropac, Paris
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| 2009
| Abstracts, Cheim & Read, New York, NY
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| Jack Pierson, Centro de Art Contemporaneo, Malaga
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| Jack Pierson, Galleria Christian Stein, Milan
|
| 2008
| Jack Pierson, Xavier Hufkens, Brussels
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| Jack Pierson, Irish Museum of Modern Art, Dublin
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| 2007
| Jack Pierson, Centre d’Art Santa Monica, Barcelona
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| Self Portraits, Galerie Sabine Knust, Munich
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| Jack Pierson, Regen Projects, Los Angeles, CA
|
| 2006
| The Golden Hour, Aurel Scheibler, Berlin
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| Jack Pierson, Centre D'Art Santa Monica, Barcelona
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| Recents works, Galerie Thaddaeus Ropac, Paris
|
| Melancholia Passing into Madness, Cheim & Read, New York, NY
|
| 2005
| Early Works and Beyond – Goodbye Yellow Brick Road, Daniel Reich Gallery in co-operation with Cheim & Read, New York / travelled to Aurel Scheibler, Berlin
|
| Self Portraits, Alison Jacques Gallery, London
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| Provincetown, Albert Merola Gallery, Provincetown, MA
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| Jack Pierson, Galeria Javier Lopez, Madrid
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| Jack Pierson, Danziger Projects, New York, NY
|
| 2004
| Jack Pierson, Galerie Sabine Kunst, Munich
|
| Jack Pierson, Alison Jacques Gallery, London
|
| Self Portraits, Regen Projects, Los Angeles, CA
|
| Self-Portrait, Angstrom Gallery, Dallas, TX
|
| 2003
| Jack Pierson, Cheim & Read, New York, NY
|
| Jack Pierson, Galerie Aurel Scheibler, Cologne
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| Jack Pierson, Roger Björkholmen Gallery, Stockholm
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| Why?, University of the Arts, Philadelphia, PA
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| New Work, Hamiltons, London
|
| 2002
| Jack Pierson: Recent Work, Angstrom Gallery, Dallas, TX
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| Truth, Galerie Aurel Scheibler, Cologne
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| Jack Pierson, Andre Simoens Gallery, Knokke-Zoute
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| Regrets, Museum of Contemporary Art, Miami
|
| Unidentified Youth, Galerie Thaddaeus Ropac, Paris
|
| 2001
| Jack Pierson, Roger Björkholmen Gallery, Stockholm
|
| Jack Pierson, Glenn Horowitz Bookseller, East Hampton, New York, NY
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| Under the Top, Regen Projects, Los Angeles, CA
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| Taka Ishii Gallery, Tokyo
|
| Taché-Lévy Gallery, Brussels
|
| Galleria Photology, Milan
|
| 2000
| Jack Pierson, Cheim & Read, New York, NY
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| Provincetown Art Association and Museum, Provincetown, MA
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| La vie, Galerie Thaddaeus Ropac, Paris
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| Jack Pierson, Robert Pearre Fine Art, Tuscon, AZ
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| Signs of the Times, realARTways, Hartford, CT
|
| 1999
| Texas Gallery, Houston, TX
|
| Kunstverein Heilbronn, Heilbronn
|
| The Art Association, Provincetown, MA
|
| Albert Merola Gallery, Provincetown, MA
|
| Sprengel Museum, Hannover
|
| Jack Pierson, Cheim & Read, New York, NY
|
| Espacio Aglutinador, Havanna, Cuba
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| Jack Pierson: New Photographs, Roger Björkholmen Gallery, Stockholm
|
| 1998
| Galerie Aurel Scheibler, Cologne
|
| Regen Projects, Los Angeles, CA
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| American Fine Arts, Co., New York, NY
|
| An Artificial Night, The Art Ginza Space, Shiseido, Tokyo
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| Pay Me in Coke, Taka Ishii Gallery, Tokyo
|
| 1997
| Frankfurter Kunstverein, Frankfurt a.M.
|
| Galerie Aurel Scheibler, Cologne
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| CAPC Musée d’art contemporain, Bordeaux
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| New Photographs, Albert Merola Gallery, Provincetown, MA
|
| Edition Schellmann, New York, NY
|
| Gio Marconi, Milano
|
| 1996
| NZET PROJEKT, Gent, Belgium
|
| Luhring Augustine, New York, NY
|
| White Cube, London
|
| Modulo Centro Difuso de Arte, Lisboa
|
| Galerija Dante Marino Cettina, Stella Maris, Croatia
|
| Galerie Philippe Rizzo, Paris
|
| Regen Projects, Los Angeles, CA
|
| Ursula Blickle Stiftung, Kraichtal
|
| 1995
| Jack Hanley Gallery, San Francisco, CA
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| Baldwin Gallery, Aspen, Colorado
|
| Parco Gallery, Tokyo
|
| Theoretical Events, Naples
|
| Traveling Show, Museum of Contemporary Art, Chicago; IL
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| Galerie Aurel Scheibler, Cologne
|
| Texas Gallery, Houston, TX
|
| Galleri Index, Stockholm
|
| Roger Björkholmen Gallery, Stockholm
|
| 1994
| Fine Arts Work Center, Provincetown, MA
|
| Luhring Augustine, New York, NY
|
| American Dreaming: The Work of Edward Hopper and Jack Pierson, Whitney Museum of American Art, New York, NY
|
| Regen Projects, Los Angeles, CA
|
| 1993
| Jack Hanley Gallery, San Francisco, CA
|
| 1992
| Tom Cugliani Gallery, New York, NY
|
| White Columns, New York, NY
|
| Galerie Aurel Scheibler, Cologne
|
| Richard Kuhlenschmidt Gallery, Los Angeles, CA
|
| 1991
| Richard Kuhlenschmidt Gallery, Los Angeles, CA
|
| Pat Hearn Gallery, New York, NY
|
| 1990
| Simon Watson, New York, NY
|
| |
| 2021
| High Desert Test Sites 2021 (HDTS 2021): The Guests of the Hotel Palenque, Joshua Tree, CA
|
| 2020
| Perceptions: People in american Photography, Fabian & Claude Walter Galerie, Zürich
|
| Come Out!, Kistefos Museet, Jevnaker
|
| Duro Olowu: Seeing Chicago, Museum of Contemporary Art, Chicago, IL
|
| Dog Days: Katherine Bradford, Ryan McGinley, Jack Pierson, LAUNCH F18, New York, NY
|
| 2019
| Friends and Family, Peter Mendenhall Gallery, Pasadena, CA
|
| A Most Favourable Soil, Butlery Gallery, The Castle, Kilkenny
|
| Be Seen: Portrait Photography Since Stonewall, Wadsworth Atheneum Museum of Art, Hartford, CT
|
| Pride, Postmasters Gallery, New York, NY
|
| The Thing Itself, Gavlak, Palm Beach, FL
|
| 2018
| Au rendez-vous des amis, Aurel Scheibler, Berlin
|
| Stranger Comes to Town, SPRING/BREAK Art Show, New York, NY
|
| The Conditions Of Being Art: Pat Hearn Gallery And American Fine Arts, Co. (1983-2004), Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
|
| Head2Head, Albert Merola Gallery, Provincetown, MA
|
| Intimacy, curated by Stephen Truax, Yossi Milo Gallery, New York, NY
|
| The Visual Thread: Fine Arts Work Center Artist Spotlight, organized by Fine Arts Work Center in Provincetown, MA, Mills Gallery, Boston Center for the Arts, Boston, MA
|
| 2017
| Holiday Exhibition, Albert Merola Gallery, Provincetown, MA
|
| Lonely Planet, Gavlak Gallery, Palm Beach, FL
|
| Light in the Dark, Sears Peyton Gallery, New York, NY
|
| The Time. The Place. Contemporary Art from the Collection, Henry Art Gallery, University of Washington, Seattle, WA
|
| High Desert Test Sites 2017, Joshua Tree, CA Autumn Exhibition of Gallery Artists, Albert Merola Gallery, Provincetown, MA
|
| The Objectness of Paper, Albert Merola Gallery, Provincetown, MA
|
| Over the Rainbow, Praz-Delavallade, Los Angeles, CA
|
| FEEDBACK, Marlborough Contemporary, New York, NY
|
| The Horizontal, Cheim & Read, New York, NY
|
| Picture Industry, curated by Walead Beshty, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY; traveled to LUMA Arles, Parc des Atelier, Arles
|
| University of Disasters, Bortolami Gallery, New York, NY
|
| Eternal Youth, Museum of Contemporary Art, Chicago, IL
|
| Meet Me in Heaven, Schloss Tüssling, Tüssling
|
| Jack Pierson – Marina Karella, for those of us who know, we know..., Zomboulakis Galleries, Athens
|
| Blurred Lines: A Matter of Attitude, Belfast
|
| Hope: Joseph Havel & Jack Pierson, Hiram Butler Gallery, Houston, TX
|
| What I Loved: Selected Works from the ‘90s, Regen Projects, Los Angeles, CA
|
| Heartbreak Hotel, Invisible-Exports, New York, NY
|
| Drawing Island, The Journal Gallery, Brooklyn, New York, NY
|
| Group Exhibition, James Fuentes Gallery, New York, NY
|
| 30th Anniversary show, Attics of My Life, Jack Hanley Gallery, New York, NY
|
| White Trash, Luhring Augustine, Bushwick, New York, NY
|
| Toujours, the Museum as Witness, Museo Amparo, Puebla, Mexico
|
| 2016
| Don’t Look Back: The 1990s at MOCA, The Geffen Contemporary at The Museum of Contemporary Art, Los Angeles, CA
|
| Pure Romance, The Redfern Gallery, London
|
| L’Inventaire, Vol. 6: Acquisitions de 1997 à 1998, FRAC Normandie Rouen, Sotteville-lès Rouen
|
| Going Home: 43 Fifth Avenue, Bortolami Gallery, New York, NY
|
| In the Mood, Albert Merola Gallery, Provincetown, MA
|
| Toujours, the Museum as a Witness, Museo de Arte Contemporáneo de Monterrey, Monterrey
|
| 2 Years of Looking, New Art Projects, London
|
| L’amour, L’été et l’architecte, Galerie des Multiples, Paris
|
| Good Dreams, Bad Dreams - American Mythologies, Aïshti Foundation, Antelias
|
| Palma, Palmiers, Palm, Dickinson Roundell, Inc., New York, NY
|
| Art of Collaboration, Ullens Center for Contemporary Art, Beijing
|
| By the Sea, Albert Merola Gallery, Provincetown, MA
|
| S.PI.C.E.S., Magnan Metz Gallery, New York, NY
|
| Shrines to Speed: Art and The Automobile from the Minimal to the Postmodern,
|
| Leila Heller Gallery, New York, NY
|
| Human Interest: Portraits from the Whitney’s Collection, Whitney Museum of American Art, New York, NY
|
| Wintertime, Aurel Scheibler, Berlin
|
| ICH, Schirn Kunsthalle Frankfurt, Frankfurt
|
| Ordinary Pictures, Walker Art Center, Minneapolis, MN
|
| Still Life with Fish: Photography from the Collection, Hammer Museum, Los Angeles, CA
|
| 2015
| The Billboard Creative Q4 2015 Show, 6233 Santa Monica Blvd, Los Angeles, CA
|
| Revisitation – Gallery Artists in Review, Albert Merola Gallery, Provincetown, MA
|
| Space Age, Galerie Thaddaeus Ropac, Paris Pantin, Paris
|
| TOWER, Ibid, London
|
| Summer Group Exhibition, The Journal Gallery, Brooklyn, NY
|
| Art AIDS America, Tacoma Art Museum, Tacoma, Washington / Zuckerman Museum of Art, Kennesay State University, Georgia / Bronx Museum of Art, New York
|
| Queertopia: It Takes a Village, 68 Projects, Berlin
|
| Collecting Lines – Drawings from the Ringier Collection, Villa Flora Winterthur, Sammlung Hahnloser, Winterthur
|
| As High as the Eyes Can Reach, Fórum Eugénio de Almeida, Évora
|
| Private Eye: Allen G. Thomas Jr. Photography Collection, North Carolina Museum of Art, Raleigh
|
| Harum Scarum, curated by Jack Pierson, Albert Merola Gallery, Provincetown, MA
|
| Summer Salon 2015, ACME Fine Art, Boston, MA
|
| Mixed Media, Robert Fontaine Gallery, Miami, FL
|
| Cool Day: Pat de Groot and Friends, ACME Fine Art Gallery, Boston, MA
|
| Words Words Words, Elizabeth Leach Gallery, Portland, OR
|
| SUMMERTIME, Aurel Scheibler, Berlin
|
| So Far So Long, Galería Pelaires, Palma de Mallorca
|
| The Unknown, Eden Rock Gallery and Art Saint Barth, Saint Barthélemy
|
| Open This End: Contemporary Art from the Collection of Blake Byrne, Nasher Museum of Art at
|
| Duke University, Durham, NC; travels to Ohio State University Urban Arts Space, Columbus, OH / Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY / Ronna and Eric Hoffman Gallery of Contemporary Art, Lewis & Clark College, Portland, OR
|
| HE: The Hergott Shepard Photography Collection, University of Michigan, Museum of Art, Ann Arbor, MI2014; Only The Good Ones: The Snapshot Aesthetic Revisited, Galerie Rudolfinum, Prague
|
| Sed Tantum dic Verbo (Just say the Word), Blain Southern Limited, Berlin
|
| Drawn to Language, Children’s Museum of Art, New York
|
| Pop Sculpture, Leila Heller Gallery, New York
|
| The Morning After, Tyler Wood Gallery, San Francisco
|
| Look at Me: Portraiture from Manet to the Present, Leila Heller Gallery, New York
|
| Pliage/Fold, Gagosian Gallery, Paris
|
| |
| Drawn to Language, Children’s Museum of Art, New York, NY
|
| Pop Sculpture, Leila Heller Gallery, New York, NY
|
| The Morning After, Tyler Wood Gallery, San Francisco
|
| Made by... Feito por Brasileiros, Cidade Matarazzo, São Paulo
|
| QUEER Fellows, Fine Arts Work Center, Provincetown, MA
|
| Basic Research – Notes on the Collection, Museum Kurhaus Kleve, Kleve
|
| Look at Me: Portraiture from Manet to the Present, Leila Heller Gallery, New York, NY
|
| Unbound: Contemporary Art After Frida Kahlo, Museum of Contemporary Art Chicago, IL
|
| Albert Merola Gallery 2014 Inaugural Exhibition, Albert Merola Gallery, Provincetown, MA
|
| Grey Flags, Backslash gallery, Paris
|
| Now You See It: Photography and Concealment, The Metropolitan Museum of Art, New York, NY
|
| Pliage/Fold, Gagosian Gallery, Paris
|
| Ten Recent Portfolios, Caroline Nitsch Contemporary Art, New York, NY
|
| Lou Ford, curated by Roger Bywater, Etablissement d’en Face Projects, Brussels
|
| SPACE, Space Lodge Gallery, Park City, UT
|
| 2013
| NEVER MIND THE BOLLOCKS, JR Gallery, Berlin
|
| Alejandro Cesarco, Secondary Revision, Frac Ile de France, Le Plateau, Paris
|
| Outside the Lines - UIA (Unlikely Iterations of the Abstract), Contemporary Arts Museum, Houston; TX
|
| (con)TEXT, Sharon Art Center, Peterborough, New York, NY
|
| Boy! Oh, Boy!, Summer Group Show, Casa de Costa, New York, NY
|
| Old Black, organized by Todd von Ammon, Team Gallery, New York, NY
|
| Pivot Points: 15 Years & Counting, Museum of Contemporary Art, Los Angeles, CA
|
| Disaster/The End of Days, Galerie Thaddaeus Ropac, Paris
|
| NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York, NY
|
| Merci Mercy, Vladimir Restoin Roitfeld, New York, NY
|
| Art Lesson: The Boston School Considered, De Ricci Gallery, Edgewood College, Madison
|
| 2012
| So, This is Christmas, Galerie de Multiples, Paris
|
| CARA DOMANI. Opere dalla collezione Ernesto Esposito, Museo d´arte Moderna di Bologna
|
| Der Nackte Mann, Lentos Kunstmuseum Linz
|
| The Palm Beach Story, or whatever happened to Baby Jane, Gavlak Gallery, Palm Beach, FL
|
| Death Can Dance, Townhouse, Zurich
|
| The Sight of Sound, 60 Wall Gallery, Deutsche Bank, New York, NY
|
| Funny, The Flag Art Foundation, New York, NY
|
| Detournement: Signs of the Times, Jonathan LeVine Gallery, New York, NY
|
| RE-Mixed Messages, Fathom Gallery, Washington D.C.
|
| Silver Curtain, Stephen Wirtz Gallery, San Francisco, CA
|
| It’s Always Summer on the Inside, Anton Kern Galley, New York, NY
|
| Nothing in the World But Youth, Turner Contemporary, Margate
|
| Second Skin, VPL, New York, NY
|
| Lichtempfindlich - Zeitgenössische Fotografie aus der Sammlung Schaufler, SCHAUWERK, Sindelfingen
|
| Postcards from the edge. 14th annual, Cheim & Read Gallery, New York, NY
|
| Twenty Years After, Björkholmen Gallery, Stockholm
|
| 2011
| Jack Pierson and Elliott Puckette Collage, Danziger Gallery, New York, NY
|
| AM ENDE WAR DAS WORT, Ursula Blickle Stiftung, Kraichtal
|
| Nothing in the World But Youth, Turner Contemporary, Margate
|
| Abstraction, Albert Merola Gallery, New York, NY
|
| Distant Star / Estrella Distante, an exhibition organized around the writings of Roberto Bolaño, Regen Projects, Los Angeles, CA; traveled to kurimanzutto, Mexico City
|
| Off the Wall/ Fora da Parede, organized by the Whitney Museum, Serralves Museum, Porto
|
| George Herms: Xenophilia (Love of the Unknown), curated by Neville Wakefield, MOCA Pacific Design Center, West Hollywood, CA
|
| Absentee Landlord, The Walker Art Center, Minneapolis, MN
|
| Mixed Messages, Visual AIDS, La MaMa La Galleria, New York, NY
|
| After Images, Jewish Museum Brussels
|
| Everything You Can Imagine Is Real…, Xavier Hufkens, Brussels
|
| The Last First Decade, Elllipse Foundation, Lisbon
|
| Gute Hoffnung, Sabine Knust Galerie Maximilian Verlag, Munich
; Living Life, The Center (The Lesbian, Gay, Bisexual & Transgender Community Center), New York, NY
|
| L’INSOUTENABLE LÉGÈRETÉ DE L’ÊTRE, Yvon Lambert, New York, NY
|
| Robert Mapplethorpe: Night Works, Alison Jacques Gallery, London
|
| The Unbearable Lightness of Being, Galerie Yvon Lambert, New York, NY
|
| T_XT_RT, Jenkins Johnson Gallery, San Francisco, CA
|
| 2010
| Denim, 80WSE Gallery, New York, NY
|
| Kurt, Seattle Art Museum, Seattle, WA
|
| Post War/Contemporary, Rago Arts and Auction Center, New Jersey
|
| Who are you close to, Jane Kim/Thrust Projects, New York, NY
|
| Missing Beat, Sommer Contemporary Art, Tel-Aviv
|
| Hide/Seek: Difference and Desire in American Portraiture, National Portrait Gallery, Washington D.C.; traveled to Brooklyn Museum of Art, Brooklyn, NY; Tacoma Art Museum, Tacoma, WA
|
| Illuminations (After Arthur Rimbaud) - Sculpting the Light From the East, Leila Taghinia-Milani Heller Gallery, New York, NY
|
| MALE, Maureen Paley, London
|
| Sweat, curated by Marilyn Minter and Fabienne Stephan, Patricia Low Contemporary, Gstaad
|
| Third Thoughts, CCA Andratx
|
| Country Music, Blum & Poe Gallery, Los Angeles, CA
|
| Night, Albert Merola Gallery, Provincetown, MA
|
| Robert Melee’s Talent Show, The Kitchen, New York, NY
|
| Twenty Five, Luhring Augustine, New York, NY
|
| This is My Condition, Galeria Filomena Soares, Lisbon
|
| Light Breaks Where No Sun Shines, The Webster, Miami Beach, FL
|
| The Library of Babel / In and Out of Place, curated by Anna-Catharina Gebbers, 17 Zabludowicz Collection, London
|
| Think Pink, curated by Beth Rudin DeWoody, Gavlak Gallery, Palm Beach, FL
|
| 2009
| Where Do We Go From Here?, Bass Museum Of Art, Miami Beach, FL
|
| Learn To Read Art: A History of Printed Matter (1976-2009), P.S.1 MoMa, Long Island, NY
|
| Familiar Feelings. On the Boston Group, CGAC Santiago de Compostela
|
| Learn To Read Art: A History of Printed Matter (1976-2009), Badischer Kunstverein, Karlsruhe
|
| Location, Danziger Projects, New York, NY
|
| EN TODAS AS PARTES / EVERYWHERE. Sexual Diversity Policies in Art CGAC Santiago de Compostela
|
| The Secret Life of Objects, Midway Contemporary Art, Minneapolis, MN
|
| Four - 4, Black Cube Gallery, Barcelona
|
| 25 For 25: A Tribute To Ron Warren, Mary Boone Gallery, New York, NY
|
| Monumental, Projex-Mtl, Montreal
|
| Stars!, Salon 94, New York, NY
|
| Arles Photofestival 09, Les Rencontres d' Arles Photographie, Arles
|
| Flower Power, Villa Giulia - Centro di Ricerca Arte Attuale, Torino
|
| sh(OUT) - Contemporary Art and Human Rights, Culture and Sport Glasgow
|
| Chelsea Visits Havana, Museo Nacional de Bellas Artes, Havana
|
| Kids Behaving Badly, Clampart, New York, NY
|
| Just What Are They Saying, Jonathan Ferrara Gallery, New Orleans, LA
|
| From The Archives: 40 Years, 40 Projects, White Columns, New York, NY
|
| 2008
| Malcolm McLaren Musical Paintings, ScheiblerMitte, Berlin
|
| Other People: Portraits from Grunwald and Hammer Collections, Hammer Museum, Los Angeles, CA
|
| High Desert Test Sites CB08, Joshua Tree, CA
|
| How to Cook a Wolf: Part One, Dinter Fine Arts, New York, NY
|
| Listen Darling...The World is Yours, Ellipse Foundation Contemporary Art Collection
|
| The Greenroom: Reconsidering the Documentary and Contemporary Art, CCS Bard Galleries and Hessel Museum of Art, Annandale-on-Hudson, NY
|
| The Art of the Real, Vanmoerkerke Collection, Oostende
|
| DARKSIDE - Photographic Desire and Sexuality Photographed, Fotomuseum Winterhur
|
| Ego Documents- The Autobiographical in Contemporary Art, Kunstmuseum Bern
|
| SIGN/AGE: Part 1, Armand Bartos Fine Art, New York, NY
|
| The Boys of Summer, The Fireplace Project, East Hampton, New York, NY
|
| I Want A Little Sugar In My Bowl, Asia Song Society, New York, NY
|
| Implant, The UBS Art Gallery & The Horticultural Society of New York, NY
|
| Pretty Ugly, Maccarone, New York, NY
|
| Jack Pierson, Dan McCarthy, David Dupuis, The Journal Gallery, Brooklyn, NY
|
| The Sum of Its Parts, Cheim & Read, New York, NY
|
| 2007
| Come, Come, Come Into My World, Ellipse Foundation Contemporary Art Collection
|
| Portraits, Luhring Augustine, New York, NY
|
| Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago, IL; traveled to Museum of Contemporary Art, North Miami, FL; Musee d’art contemporain de Montreal
|
| Stripped Bare, C/O Berlin, Berlin
|
| I Am As You Will Be, Cheim & Read, New York, NY
|
| Final Exhibition at 4 Clifford Street, Alison Jacques Gallery, London
|
| Rockers Islands. Olbricht Collection, Museum Folkwang, Essen
|
| Into Me / Out of Me, MARCO, Rome
|
| Words Fail Me, Detroit Museum of Art, Detroit, MI
|
| People Taking Pictures of Each Other, Lamontage Gallery, Boston, MA
|
| Accrochage 03/07, Knokke
|
| Brasil: des Focos, Centro Cultural do Banco do Brasil, Rio de Janeiro; traveled to Paco das Artes, Sao Paulo
|
| NeoIntegrity, Derek Eller Gallery, New York, NY
|
| Art and Homosexuality, Palazzo della Ragione, Milan
|
| International Photo Triennial Esslingen 2007, Villa Merkel/ Bahnwärterhaus, Esslingen
|
| Edit! Photography and Film in the Ellipse Foundation, Centro de Artes Visuais Coimbra, Cascais
|
| The Recognitions, curated by David Salle, The Fireplace Project, East Hampton, NY
|
| Eliminate, Albert Merola Gallery, Provincetown, MA
|
| High Desert Test Sites 2007, Joshua Tree, CA
|
| Wallflowers, Danziger Projects, New York, NY
|
| Martin Maloney, Robert Mapplethorpe, Jack Pierson, Xavier Hufkens, Brussels
|
| Uncontained, The Whitney Museum of American Art, New York, NY
|
| Photography as the: EYE GYM, AR/ Contemporary Gallery, Milan
|
| 2006
| Tom Burr / Jack Pierson, Galerie Neu, Berlin
|
| 25’ x 25’, curated by Matthew Higgs and Amie Scally, White Columns, New York, NY, at Cereal Art Project Room, Philadelphia, PA
|
| Seeing… Blue, The Gallery at Buck House, New York, NY
|
| Until It Makes Sense, Galerie Thaddaeus Ropac, Paris
|
| Seeing the Light, Carl Solway Gallery, Cincinnati, OH
|
| Das Achte Feld / The Eighth Square, Museum Ludwig, Cologne
|
| High Desert Test Sites 5, Joshua Tree, CA
|
| Head, Albert Merola Gallery, New York, NY
|
| Survivor, Bortoloni Daylon, New York, NY
|
| De la Comtesse de Castiglione à Cindy Sherman, Galerie de France, Paris
|
| Looking at Words, Andrea Rosen Gallery, New York, NY
|
| Lichtkunst aus Kunstlicht, ZKM, Karlsruhe
|
| Into Me / Out of Me, PS1, New York; Kunst-Werke Institute for Contemporary Art, Berlin
|
| Hollywood Boulevard, Galeria Fortes Vilaça, Sao Paulo
|
| 2005
| Ark Flood, Dan McCarthy, Jack Pierson Anton Kern Gallery, New York, NY
|
| Big City Lab, Special Exhibition Art Forum, Berlin
|
| Into Me / Out of Me, Kunst-Werke Institute for Contemporary Art, Berlin
|
| Looking at Words: The Formal Use of Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York, NY
|
| Project MTL, Centre d’Amherst, Montreal
|
| Closing Down, Bortolami Dayan, New York, NY
|
| Romance (a novel), curated by Adriano Pedrosa, Cristina Guerra Contemporary Art, Lisbon
|
| All in the Family (NY Edition), Mailena Braun, curator, Texas Gallery, Houston, TX
|
| The Culture of Queer, Contemporary Arts Center, New Orleans, LA
|
| A Thousand Words, Inman Gallery, Houston, TX
|
| Nine Portraits, Stephen Wirtz Gallery, San Francisco, CA
|
| Word Play, Julie Saul Gallery, New York, NY
|
| What I Did On My Summer Vacation, CampArt, New York, NY
|
| Male Desire Two, Mary Ryan Gallery, New York, NY
|
| Edition Schellmann, Elizabeth Leach Gallery, Portland, OR
|
| New York, Luxury Good, curated by Beth DeWoody, Kathleen Cullen Fine Arts @Artek, New York, NY
|
| Atelier David Adamson, Maison Européene de la Photographie
|
| Getting Emotional, Institute of Contemporary Art, Boston, MA
|
| There Then, Anton Kern Gallery, New York, NY
|
| In Focus: Contemporary Photography from the Allen G. Thomas Jr. Collection, North Carolina Museum of Art, Raleigh, NC
|
| Collection 2, commissioned by Philippe Piguet, Foundation for Contemporary Art, Collection of Claudine and Jean-Marc Salomon, Château d’Arenthon
|
| Drawings A to Z: Colecao Madeira Corporate Services, Porta 33, Ilha da Madiera
|
| Contemporary Photography and the Garden: Deceits and Fantasies, organized by the American Federation of Arts, Middlebury College Museum of Art, Middlebury, VT; traveled to The Parrish Art Museum, Southampton, NY; Columbia Museum of Art, Columbia, SC; Tacoma Art Museum, Tacoma, WA; Cheekwood Museum of Art, Nashville, TN; Hudson River Museum, Yonkers, NY; Delaware Art Museum, Newark, DE
|
| American Photography in the Age of Mechanical Reproduction, New Britain Museum of American Art, New Britain, CT; traveled to Everson Museum of Art, Syracuse, NY
|
| in limbo, under the direction of Dr. Gwen F. Chanzit, Victoria H. Myhren Gallery, Denver, CO
|
| There is No Such Thing as the Real World, curated by Nicolai Gerner-Mathisen, Galleri MGM, Oslo
|
| 2004
| amfAR: Photography Portfolio, Rena Bransten Gallery, San Francisco, CA
|
| High Desert Test Sites 4, Joshua Tree, CA
|
| Word of Mouth, A Selection: Part I, Dinter Fine Art, New York, NY
|
| Double Check Re-Framing Space in Photography: The Other Space, Parallel Histories, The Gallery of Contemporary Art, Celje
| traveled to the Camera Austira at the Kunsthaus Graz
|
| Never Never Landscape, curated by Kirsty Bell, c/o – Atle Gerhardsen, Berlin
|
| Drawing, Albert Merola Gallery, Provincetown, MA
|
| I Am the Walrus, Cheim & Read, New York, NY
|
| 7. Internationale Foto-Triennale, Esslingen
|
| Flowers Observed, Flowers Transformed, Andy Warhol Museum, Pittsburgh, PA
|
| Whitney Biennial, The Whitney Museum of American Art, New York, NY
|
| Jack Pierson, John Baldessari, Richard Prince, Galeria Presenca, Porto
|
| Termite Art Against White Elephant, Actual Behavior Drawing, Museo Colecciones ICO, Fundacion ICO, Madrid
|
| 2003
| High Desert Test Sites 3, Joshua Tree, CA
|
| The Men’s Room, Nassau County Museum of Art, New York, NY
|
| Moving Time, Firenze Mostre Spa, Florence
|
| A Way With Words, John Berggruen Gallery, San Francisco, CA
|
| High Desert Test Sites 2, Joshua Tree, CA
|
| Heaven and Hell, Barbara Mathes, New York, NY
|
| Special Dedicace, Musee Departmental D’Art Contemperain de Rochechouart, Rochechouart
|
| Social Strategies: Redefining Social Realism, University Art Museum, University of California, Santa Barbara, CA; traveled to University Galleries, Illinois State University, Normal, IL; Richard Peeler Art Center, DePauw University, Greencastle, IN; Schick Gallery, Skidmore College, Saratoga Springs, NY; Newcomb Art Gallery, Tulane University, New Orleans, LA
|
| Abstraction in Photography, Von Lintel Gallery, New York, NY
|
| Talking pieces – Text und Bild in der neuen Kunst, Museum Morsbroich, Leverkusen
|
| Inaugural Exhibition, Regen Projects, Los Angeles, CA
|
| Imaging the Abstract, Feigen Contemporary, New York, NY
|
| Körper_Konstrukt_Schönheit, Galerie der Hochschule für Grafik und Buchkunst, Leipzig
|
| Phantom der Lust, Neue Galerie Graz, Graz
|
| Skulptur03, Galerie Thaddaeus Ropac, Salzburg
|
| Simple Marks, Cheim & Read, New York, NY
|
| Wahre Wunder, Josef-Haubrich-Kunsthalle, Cologne
|
| 2002
| Mensaje de Texto, Galeria Helga de Alvear, Madrid
|
| By the Sea, Albert Merola Gallery, Provincetown, MA
|
| Chapter V, Art Resources Transfer, New York, August 1 – 23, 2002 Electric Dreams, Barbican Centre, London
|
| Visions of America: Photographs from the Whitney Museum of American Art 1940 – 2001, Whitney Museum of American Art, New York, NY
|
| Photographs, Luhring Augustine, New York, NY
|
| Art Downtown: New Photography, 25 Broad Street, New York, NY
|
| Another Day, Galleri Roger Björkholmen, Stockholm
|
| Desire, Galleria d’Arte Moderna, Bologna
|
| Ahead of the 21st Century: The Pisces Collection, Fürstenberg Sammlungen, Donaueschingen
|
| Time Space Motion, Galerie Thaddaeus Ropac, Salzburg
|
| Comer O No Comer, CASA, Centro de Arte de Salamanca
|
| Portraits, Andre Simons Gallery, Knokke-Zoute
|
| Copy, Roth Horowitz, New York, NY
|
| Regrets, Museum of Contemporary Art, Miami, FL
|
| 5 Sculptures: Tony Feher, Robert Gober, Felix Gonzalez-Torres, Mike Kelley, Jack Pierson, D’Amelio Terras Gallery, New York, NY
|
| 2001
| Brave New World, Galeria OMR, Mexico City
|
| Masculinities, Nikolaj, Copenhagen Contemporary Art Center
|
| The Magic Hour: The Convergence of Art and Las Vegas, Neue Galerie, Graz
|
| Geometrie & Gestus, curated by Nikolaus Ruzicska, Galerie Thaddeus Ropac
|
| Relation(s), Galleri Roger Björkholmen, Stockholm
|
| Miami Arts Project, Miami, FL
|
| Au-Delá Du Spectacle, Centre Georges Pompidou, Paris
|
| Part II (1988-1994), Pat Hearn Gallery, New York
|
| Ohne Zögern: First View, Sammlung Olbricht Teil 2, Neues Museum Weserburg Bremen
|
| Liquid Properties, Cheim & Read, New York
|
| Signs of the Times, H&R Art Space, Kansas City, MO
|
| Drawings, Regen Projects, Los Angeles, CA
|
| Happiness, Galeria Presenca, Porto
|
| Spiritual America, Audiello Fine Art, New York, NY
|
| After Image, IKON Ltd./ Kay Richards Contemporary Art, Santa Monica, CA
|
| Rocks & Trees, Photographic Resource Center, Boston, MA
|
| Pat Hearn Gallery: Part Two (1988 – 1994), Pat Hearn Gallery, New York, NY
|
| Postmodern Americans, The Menil Collection, Houston, TX
|
| A Way With Words: Selections from the Whitney Museum of American Art, Whitney Museum of American Art, New York, NY
|
| Before They Became Who They Are, Kravets/Wehby Gallery, New York, NY
|
| 2000
| 16 Americans, Hallway, London
|
| 00, Gladstone Gallery, New York, NY
|
| H, Clifford – Smith Gallery, Boston, MA
|
| The Nocturnal Dream Show, Pat Hearn Gallery, New York, NY
|
| Quotidiana: The Continuity of the Everyday in 20th Century Art, Castello di Rivoli, Turin
|
| On Language, Sean Kelly Gallery, New York, NY
|
| PICT, Walter Phillips Gallery for Contemporary Arts, Banff, Canada
|
| Issue, Galerie Thaddaeus Ropac, Paris
|
| Fotofokus: Fotosammlung Jeane von Oppenheim, Norton Museum of Art; Museum für Angewandte Kunst, Cologne
|
| Wahre Wunder, Josef-Haubrich-Kunsthalle, Cologne
|
| Insight Out: Landschaft und Interieur als Themen zeitgenössischer Photographie, Kunstraum Innsbruck; Kunsthaus Hamburg; Kunsthaus Baselland
|
| Let’s Entertain, Walker Art Center, Minneapolis, MN; traveled to Portland Art Museum, Portland, OR; Musée national d’art modern, Centre Georges Pompidou (presented as ‘Sons et lumières); Museo Rufino Tamayo, Mexico City; Miami Art Museum, Miami, FL
|
| Welcome to our Community Everyone here Loves God, Jack Hanley Gallery, San Francisco, CA
|
| 1999
| Hindsight: Works from the Permanent Collection, Whitney Museum of Art, New York, NY
|
| 2 x 2 for AIDS, Dallas Museum of Art, Texas
|
| Free Coke, Greene Naftali, New York, NY
|
| Views from the Edge of the World, Marlborough Gallery, New York, NY
|
| On Language, Sean Kelly Gallery, New York, NY
|
| Drawing, Mark Moore Gallery, Los Angeles, CA
|
| Collectors Collect Contemporary, ICA, Boston, MA
|
| Conceptual Art as Neurobiological Praxis, Thread Waxing Space, New York, NY
|
| Photographie, Galerie Ascan Crone, Hamburg
|
| Museums-Sommernacht in Dresden: Künstlerfilme- und videos, Staatliche Kunstsammlungen Dresden, Gemäldegalerie Neue Meister, Dresden
|
| Re: Rauschenberg, Marcel Sitcoske Gallery, San Francisco, CA
|
| Former Fellows of New York, Walker Gallery, Fine Arts Work Center, Provincetown, MA
|
| Lamia Ink. Gallery, New York, NY
|
| Transmute, Museum of Contemporary Art, Chicago, IL
|
| Changing Face: Contemporary Portraiture, Jim Kempner Fine Art, New York, NY
|
| Pixel: Digitally Inspired Paintings, James Danziger Gallery, New York, NY
|
| H20, Albert Merola Gallery, Provincetown, MA
|
| The Ecstatic, Trans Hudson Gallery, New York, NY
|
| A Place Called Lonely, Greene Naftali, New York, NY
|
| Times Squared, Keith De Lellis Gallery, New York, NY
|
| International Festival of Fashion Photography, Kobe Fashion Museum, Tokyo
|
| The American Century, Art & Culture 1900-2000, Whitney Museum of American Art, New York
|
| artLovers at Tracey: 1st Liverpool Biennial of Contemporary Art, Compton House, Liverpool
|
| Umzug, Galerie Gebrüder Lehmann, Dresden
|
| Konstruksjon eller virkelighet, Lillehammer Kunstmuseum, Norge
|
| Mark Flood, Dan McCarthy, Jack Pierson, Anton Kern Gallery, New York, NY
|
| Horizons, Galleri Roger Björkholmen, Stockholm
|
| Couples, Cheim & Read, New York, NY
|
| Ego Alter Ego: The Self–Portrait in Contemporary Photography, Nassauischer Kunstverein, Wiesbaden
|
| The American Century, The Final Victory, Part III, James Danziger Gallery, New York, NY
|
| 1998
| Collection: un autre regard, CAPC Musée d’art contemporain, Bordeaux
|
| Emotions & Relations, Hamburger Kunsthalle, Hamburg
|
| E Pluralus Nihil, American Fine Arts & Co., New York, NY
|
| Male, Wessel & O’Connor Gallery, New York, NY
|
| I Hate Movies, Andrew Kreps, New York, NY
|
| Portraits, Paul Morris, New York, NY
|
| Kind of Blue, Judy Goldman, Boston, MA
|
| Early Works, Regen Projects, Los Angeles, CA
|
| Painting: Now and Forever, Part I, Pat Hearn Gallery and Matthew Marks Gallery, New York, NY
|
| Drawings, Albert Merola Gallery, Provincetown, MA
|
| Small Paintings, Cheim & Read, New York, NY
|
| Double Trouble: The Patchett Collection, Museum of Contemporary Art, San Diego, CA
|
| View Four, Mary Boone Gallery, New York, NY
|
| Libera Mente: La figurazione del sentimento, Spazio ex-Arrigoni, Palazzo del Capitano, Cesena, Italia
|
| The Erotic Sublime, Galerie Thaddaeus Ropac, Salzburg
|
| When Season Becomes Form, Allianz Versicherungs-AG, Cologne
|
| Landschaft, Trinkhaus Galerie, Trinkaus & Burkhardt, Dusseldorf
|
| I Love New York, Museum Ludwig, Cologne
|
| The Sound of One Hand, Apex Art, New York, NY
|
| Five Paintings, Luhring Augustine, New York, NY
|
| Bathroom, Thomas Healy Gallery, New York, NY
|
| The Erotic Sublime (Slave to the Rhythm), Galerie Thaddaeus Ropac, Salzburg
|
| 1997
| Geschlossene Gesellschaft: Graphische Sammlung der ETH, Zürich
|
| All of a Sudden II, Galerie Aurel Scheibler, Cologne
|
| Framed Area, Amsterdam
|
| Conversation: Roy Fowler & Jack Pierson, New York, NY
|
| Paintings and Sculptures, Luhring Augustine, New York, NY
|
| Art at the End of the 20th Century: Selections from the Whitney Museum of American Art, Museo d’arte Contemporani de Barcelona; Kunstmuseum Bonn
|
| Household Goods, Texas Gallery, Houston, TX
|
| Collection, découverte, Capc Musée d’Art Contemporain, Bordeaux
|
| 1996
| a/drift, CCS Bard Galleries and Hessel Museum of Art, Annandale-on-Hudson, NY
|
| Just Past: The Contemporary in the Permanent Collection, 1975 – 96, curated by Ann Goldstein, The Geffen Contemporary at Museum of Contemporary Art, Los Angeles, Los Angeles, CA
|
| Urgence, CAPC Musée d’art contemporain, Bordeaux
|
| More than Real, Caserta
|
| Black & Blue, Groninger Museum, Groningen
|
| Colorealism: Photography enters the third Millenium, Photology, Milan
|
| Defining the Nineties: Consensus Making in New York, Miami and Los Angeles, MOCA, Miami
|
| Der soziale Blick, Begleitausstellung der Art Frankfurt
|
| All of a Sudden, Galerie Aurel Scheibler, Cologne
|
| Art at Home: Ideal Standard Life, Tokyo
|
| Exposure, Luhring Augustine, New York, NY
|
| Disneyland after Dark, Kunstamt Kreuzberg, Berlin
|
| Radikale Bilder: 2. Österreichische Triennale zur Fotografie, Neue Galerie am Landesmuseum Johanneum und Künstlerhaus, Graz; travelled to Kunsthalle Szombathely; Galerie Sander, Darmstadt
|
| Art at the End of the 20th Century: Selections from the Whitney Museum of American Art, Alexandros Soutzos Museum, Athens; Museu d’art Contemporani, Barcelona; Kunstmuseum, Bonn
|
| Defining the Nineties: Consensus-making in New York, Miami, and Los Angeles, Museum of Contemporary Art, North Miami, FL
|
| 1995
| Hetrick-Martin Institute Benefit, Paul Morris Gallery, New York, NY
|
| The Moderns, Feature, New York, NY
|
| Close to Life: 3. Internationale Foto-Triennale, Esslingen
|
| 1995 Whitney Biennial, curated by Klaus Kertess, The Whitney Museum of American Art, New York, NY; traveled to Veletržní palace, Museum of Modern Art, Prague; Statens Museum for Kunst, Copenhagen,
|
| Disneyland after Dark, Uppsala Konstmuseum, Uppsala
|
| Boston School, ICA, Boston, MA
|
| In a Different Light, Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, CA
|
| Borealis 7 Desire, The Nordic Arts Centre & Helsinki City Art Museum, Helsinki; travelled to Louisiana Museum of Modern Art, Humlebaek
|
| Nan Goldin, Mark Morrisroe, Jack Pierson, Taka Ishii Gallery, Tokyo
|
| Pat Hearn Gallery, A Selected Survey, 1983 – 1995, Pat Hearn Gallery, New York, NY
|
| Guaranteed Personalities, Stockholm
|
| 1995 Yamantaka Donation: An Exhibition of Photographs to Benefit Tibet House, Robert Miller Gallery, New York, NY
|
| Bergen Billedgalleri, Bergen
|
| Gallerie F 15, Moss
|
| Hasselblad Center, Göteborgs Konstmuseum
|
| Turku Art Museum, Turku, Finland
|
| 1994
| Passing Through, Galerie Walcheturm, Zurich
|
| Psycho-pathology of Everyday Life, Ruth Bloom Gallery, Santa Monica, CA
|
| A Garden, Barbara Krakow Gallery, Boston, MA
|
| GIFT, The InterArt Center, New York, NY
|
| Making Waves, Provincetown Art Association and Museum, Provincetown, MA
|
| Suspension, Galerie Fotohof, Salzburg
|
| Abstract Works on Paper, Robert Miller Gallery, New York, NY
|
| Geoffrey Young Gallery, Great Barrington, MA
|
| 1994
| Sculpture, Luhring Augustine, New York, NY
|
| In the Field: Landscape in Recent Photography, Margo Leavin Gallery, Los Angeles, CA
|
| Small Paintings, Paul Morris Gallery, New York, NY
|
| Conceptual Living, Rhizome, Amsterdam
|
| Yamantaka Donation: An Exhibition of Photographs to Benefit Tibet House New York, Robert Miller Gallery, New York, NY
|
| 1995 Biennial, Whitney Museum of American Art, New York, NY
|
| A Selected Survey: 1983-1995, Pat Hearn Gallery, New York, NY
|
| 1993
| Simply Made in America, Aldrich Museum of Contemporary Art, Ridgefield
|
| 1993 Biennial, Whitney Museum of American Art, New York, NY
|
| Nobuyoshi Araki, Sophie Calle, Larry Clark, Jack Pierson, Luhring Augustine, New York, NY
|
| Urban Analysis, Barbara Braathen Gallery, New YorK, NY
|
| Stoned (HighLow), Ruth Bloom Gallery, Santa Monica, Barcelona
|
| Tema AIDS, Onstad Henie Foundation, Hövikkodden
|
| Irony & Ecstasy, Salama-Caro Gallery, London
|
| Snap!, Tomoko Ligouri Gallery, New York, NY
|
| The Whitney Biennial in Seoul, National Museum of Contemporary Art, Seoul
|
| Works on Paper, Jack Hanley Gallery, San Francisco, CA
|
| Summer Reading, Texas Gallery, Houston, TX
|
| Tabboo!, Tom Cugliani Gallery, New York, NY
|
| Drawing the Line Against AIDS, Guggenheim Museum SoHo, New York, NY
|
| Picturing Ritual, Center for Photography, Woodstock; Neuberger Museum, SUNY Purchase, NY
|
| 1992
| How It Is, Tony Shafrazi Gallery, New York, NY
|
| Jack Hanley Gallery, San Francisco, CA
|
| Healing, Wooster Gardens, New York, NY
|
| Drawings, Stuart Regen Gallery, Los Angeles, CA; Pat Hearn Gallery, New York, NY
|
| Hollywood, Hollywood: Identity Under the Guise of Celebrity!, Pasadena Art Alliance, Pasadena, CA
|
| Identities, Steirischer Herbst, Forum Stadtpark, Graz
|
| True Stories, Institute of Contemporary Art, London
|
| White Columns Update 1992, White Columns, New York, NY
|
| The Anti-Masculine, Kim Light Gallery, Los Angeles, CA
|
| Mistaken Identities, University Art Museum, University of California, Santa Barbara, CA; traveled to Museum Folkwang, Essen; Forum Stadtpark, Graz, Austria; Neues Museum Weserburg im Forum Langenstrasse, Bremen; Louisiana Museum of Modern Art, Humlebaek
|
| Developing Language, Hirschl & Adler Modern, New York, NY
|
| The Language of Flowers, Paul Kasmin Gallery, New York, NY
|
| 1991
| Selections 51, The Drawing Center, New York, NY
|
| Philip-Lorca di Corcia, Nan Goldin, Jack Pierson, York University, Toronto
|
| From Desire ..., Richard Brush Gallery, St. Lawrence University Canton, NY
|
| Something Pithier and More Psychological, Simon Watson, New York, NY
|
| Someone or Somebody, Meyers/Bloom Gallery, Santa Monica, CA
|
| Drawings, Lorence-Monk, New York, NY
|
| Situations, New Langton Arts, San Francisco, CA
|
| Presenting Rearwards, Rosamund Felsen Gallery, Los Angeles, CA
|
| Anderson, Dupuis, Nares, Pierson: Works on Paper, Galerie Aurel Scheibler, Cologne
|
| Nancy Brody, Paula Hayes, Zoe Leonard and Jack Pierson, Andrea Rosen Gallery, New York, NY
|
| 1990
| eros/thanatos, Tom Cugliani Gallery, New York, NY
|
| Blood Remembering, Snug Harbor Center for the Arts, Staten Island, NY
|