| |
| 2011
| Sarah Morris. To Erasing Principles, DIRIMART Instanbul
|
| 2010
| Sarah Morris: Clips, KNots, and 1972, Gallery Hyundai, Seoul
|
| 2009
| Sarah Morris, General Control, Friedrich Petzel Gallery, New York
|
| Sarah Morris, Gemini Dressage, Museum für Moderne Kunst, Frankfurt a. Main
|
| Sarah Morris, China 9, Liberty 37, Museo d'Arte Moderna di Bologna
|
| 2008
| White Cube, London
|
| Galleria d’Arte Moderna, Bologna
|
| 2007
| Sarah Morris, Whitechapel Laboratory, London
|
| Chinatowns, Max Hetzler Gallery, Berlin
|
| The Towne Index, Galerie Air de Paris, Paris
|
| Robert Towne, Ring Paintings, and Origami, Fredrich Petzel Gallery, New York
|
| 2006
| A Severe Insult to the Brain, Meyer Kainer Gallery, Wien
|
| Midtown, Milton Keynes gallery, London
|
| Artist in Focus, Programm in Kooperation mit dem Rotterdam Film Festival, Museum Boijmans Van Beuningen, Rotterdam
|
| A Severe Insult to the Brain, Meyer Kainer Gallery, Wien
|
| Midtown, Milton Keynes gallery, London
|
| Artist in Focus, Programm in Kooperation mit dem Rotterdam Film Festival, Museum Boijmans Van Beuningen, Rotterdam
|
| 2005
| Los Angeles, Kestner Gesellschaft, Hannover
|
| Los Angeles, Aldrich Museum, Ridgefield, Connecticut
|
| Endeavor, Palais de Tokyo, Paris
|
| Los Angeles, Friedrich Petzel gallery, New York
|
| To Film a Though in Action, Moderna Museet, Stockholm
|
| Los Angeles Drawings, Galerie Aurel Scheibler, Berlin
|
| 2004
| Los Angeles, White Cube, London
|
| Bar Nothing, Galerie Max Hetzler, Berlin
|
| 2002
| Palais de Tokyo, Paris
|
| Capital, Site Santa Fe, Santa Fe
|
| Cinecity: The Films of Sarah Morris' Hirshhorn Museum, Washington, D.C.
|
| Project #77, MOMA, New York
|
| Sarah Morris, Meyer Kainer Gallery, Wien
|
| 2001
| Crystal, Friedrich Petzel Gallery, New York
|
| Dulles, Galerie Aurel Scheibler, Köln
|
| Correspondence, Nationalgalerie im Hamburger Bahnhof, Museum fur Gegenwartskunst, Berlin
|
| 1999
| Friedrich Petzel Gallery, New York
|
| 1998
| Galerie Max Hetzler, Berlin
|
| 1996
| One False Move White Cube, London
|
| Drawings, Anton Kern, New York
|
| 1994
| Try God Nicole Klagsburn, New York
|
| 1993
| Sarah Morris, Close-Up, New York
|
| 1992
| CitizensKunsthall, New York
|
| |
| 2012
| David Smith/ Sarah Morris/ Ernst Caramelle, Wexner Center for the Arts, Columbus Ohio
|
| 2011-2012
| Erschaute Bauten, Museum für angewandte Kunst, Wien
|
| 2010
| Morality Act I / Act II, Witte de With, Rotterdam
|
| Contemplating the Void - Interventions, Guggenheim Museum, New York
|
| 2008
| Always There,
Galerie Max Hetzler, Berlin (Kat)
|
| Art is for the Spirit: Works from the UBS Art Collection,
Mori Art Museum, Tokio
|
| Beyerle Stiftung, Basel
|
| 2007
| When We Build, Let Us Think That We Build Forever, BALTIC The Centre for Contemporary Art, Gateshead, UK
|
| Soufflé, eine Massenausstellung, curated by Franz West, Kunstraum, Innsbruck
|
| Perspektiv 07, Lenbachhaus, München
|
| Contemporary Galleries Collection, San Antonio Museum of Art, San Antonio
|
| Reflection, Pinchuk Art Centre, Kiev, Ukraine
|
| 2006
| Carbonic Anhydride, Galerie Max Hetzler, Berlin
|
| Busy Going Crazy, La Maison Rouge, Paris
|
| This is America, Centraal Museum, Utrecht
|
| Intouchable, l’idéal transparence, kuratiert von Guillaume Désanges et François Piron, Villa Arson, Nizza
|
| All Hawaii Entrées/Lunar Reggae, kuratiert von Philippe Parreno, Irish Museum of Modern Art, Dublin
|
| Nouvelles acquisitions, Musée d’Art Moderne de la Ville de Paris, Paris
|
| 2005
| Ambiance, K21 Kunstsammlung NRW, Düsseldorf
|
| Big Bang, Centre Pompidou, Paris
|
| Architecture Invisible, Centre Culturel Suisse, Paris
|
| Present perfect, Friedrich Petzel Gallery, New York
|
| 2004
| Kunstforeningen, Kopenhagen
|
| Films by Sarah Morris, NFT, London
|
| If Direction, If A Look, Javier Lopez, Madrid
|
| Los Angeles, film screening, Anthology Film Archives, New York
|
| A Survey of Film Projects, Ballroom Marfa, Texas
|
| Treasure Island, Kunstmuseum Wolfsburg, Wolfsburg
|
| 2003
| La Question, Magasin Centre d´art contemporain, Grenoble, Frankreich
|
| Days Like These: The Late Triennial Exhibition of Contemporary British Art, Tate Britain, London
|
| Painting Pictures, Painting and Media in the Digital Age, Kunstmuseum Wolfsburg, Wolfsburg
|
| Sodium Dreams, Center for Curatorial Studies Museum, Bard College, New York
|
| Fast Forward - Media Art, ZKM, Karlsruhe
|
| Imagination, Perception in Art, Kunsthaus Graz, Graz
|
| 2002
| Public Affairs, Von Beuys bis Zittel: Das Öffentliche in der Kunst, Kunsthaus Zürich
|
| Centre of Attraction, 8th Baltic Triennial of International Art, Contemporary Art Centre, Vilnius, Lithauen
|
| Le Paysage dans l´art d´aujourd´hui, Maison de la Culture de Bourges, Bourges
|
| Ruina e Utopia, Centro Cultural Banco do Brasil, Rio de Janeiro
|
| Minimalism and After, Sammlung Daimler Chrysler, Berlin
|
| Busan Biennale, Busan, Korea
|
| Rapture: Art´s Seduction by Fashion since 1970, Barbican Art Gallery, London
|
| Embracing the Present: The UBS PaineWebber Art Collection, The Portland Art Museum, Portland
|
| 2001
| A Pied D'Oeuvre Bibliotheque Nationale de France, Paris
|
| Sao Paolo Biennale, Brasilien
|
| Painting on the Move, Kunsthalle Basel
|
| Beautiful Productions Whitechapel Art Gallery, London
|
| Playing Amongst the Ruins, Royl College of Art Galleries, London
|
| Hybrids, Tate, Liverpool
|
| Comfort: Reclaiming Place in a Virtual World, Cleveland Center for Contemporary Art
|
| Beau Monde: Toward a Redeemed Cosmopolitanism, 4th Site Santa Fe Biennial, Santa Fe, (kuratiert von Dave Hickey)
|
| 2000
| Confusion, Nationalgalerie im Hamburger Bahnof, Museum für Gegenwart, Berlin
|
| AM/PM, Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin
|
| What If: Art on The Verge of Architecture and Design, Moderna Museet, Stockholm
|
| Flakk, Nordic House, Reykjavik
|
| Public Culture, Private Nature, Sommer Contemporary Art, Tel Aviv
|
| Zeitgenossen/Contemporarians: Malerei/Paintings, Galerie Editions Kunsthandel GmbH, Essen
|
| Homes, Gallery of Western Australia, Perth
|
| 1999
| Post-hypnotic, Atlanta College of Art Gallery, Atlanta, Georgia
|
| Sans Reserve 1, Musées d'Art Moderne et Contemporain, Straßburg
|
| Between London and New York, Taché-Lévy Gallery, Brüssel
|
| Malerei, Kunsthalle Berlin
|
| Trans/sphere, FRAC Poitou-Charentes, Angoulême, Frankreich
|
| Le Capital, Contemporary Art Centre, Sète; Frankreich
|
| Tang, Turner & Runyon, Dallas
|
| Plug In, Salon 3, London
|
| Concrete Ashtary, Friedrich Petzel Gallery, New York
|
| Fotografische Recherchen in der Stadt, Österreichische Galerie Belvedere, Wien
|
| Art lovers. Liverpool Biennial, Compton House, Liverpool
|
| Frieze, Institute of Contemporay Art, Boston
|
| This is Yesterday, Centro Andaluz de Arte Contemporaneo, Spanien
|
| 1998
| I Love New York: Crossover der Aktuellen Kunst Museum Ludwig, Köln
|
| dijon/le consortium Centres Georges Pompidou, Paris
|
| VideoStore!, Bricks and Kicks, Wien
|
| Young Americans 2 Saatchi Collection, London
|
| Weather Everything (curated by Eric Troncy) Galerie fur Zeitgenössische Kunst Leipzig, Leipzig
|
| Deep Thought Basilico Fine Arts, New York
|
| La Table Air de Paris, Paris
|
| Dumbpop Jerwood Gallery, Jerwood Foundation, London
|
| Cluster Bomb Morrison Judd, London
|
| Mostrato Fuori Uso 98, Pescara, Italien
|
| Narrative Urge (curated by Catsou Roberts) Uppsala Konstmuseum, Schweden
|
| 1997
| Hospital (organized by Sarah Morris), Galerie Max Hetzler, Berlin
|
| Dramatically Different (curated by Eric Troncy) Centre National D'Art Contemporain De Grenoble, Grenoble
|
| Group Show: Miltos Manetas, Florence Manlik, Sarah Morris, Jack Pierson, Gary Simmons, Laurie Simmons, Georgina Starr, Galerie Philippe Rizzo, Paris
|
| Posture: A Survey of Contemporary Figuration
|
| David Klein Gallery, Michigan
|
| Painting, Photography, Drawing Anton Kern Gallery, New York
|
| 1996
| Found Footage Klemens Gasser and Tanya Grunert, Köln
|
| Pop Planet Theoretical events, Neapel
|
| 1995
| Group Show (Organisation: Jeff Koons), Nicole Klagsbrun, New York
|
| B - Movie (Organisation: Sarah Morris), San Francisco Art Fair, Phoenix Hotel, San Francisco
|
| More Than Real Gallery 400, School of Art and Architecture, University of Chicago
|
| 1994
| Summer Group Show Nicole Klagsbrun, New York
|
| Please Don't Hurt Me Galerie Snoie, Rotterdam; Cabinet Gallery, London
|
| 1993
| Lucky Kunst 2 Silver Place, London
|
| Home Alone (Organisation: Sarah Morris und Ricardo de Oliveira), 211 East 10, New York
|
| Evidently, 1993 Dooley Le Capellaine Gallery, New York
|
| More Than Real Gallery 400, School of Art and Architecture, University of Chicago
|
| 1992
| Curio Shop Thread Waxing Space, New York
|
| 1991
| Group Show P.P.O.W., New York
|
| Group Show Postmasters Gallery, New York
|
| 1990
| Series Postmasters Gallery, New York
|
| Open Studio Whitney Museum of American Art Independent Study Program, New York
|