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| 2011
| Sarah Morris. To Erasing Principles, DIRIMART Instanbul
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| 2010
| Sarah Morris: Clips, KNots, and 1972, Gallery Hyundai, Seoul
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| 2009
| Sarah Morris, General Control, Friedrich Petzel Gallery, New York
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| Gemini Dressage, Museum für Moderne Kunst, Frankfurt a. Main
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| China 9, Liberty 37, Museo d'Arte Moderna di Bologna
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| 2008
| White Cube, London
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| Galleria d’Arte Moderna, Bologna
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| 2007
| Sarah Morris, Whitechapel Laboratory, London
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| Chinatowns, Max Hetzler Gallery, Berlin
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| The Towne Index, Galerie Air de Paris, Paris
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| Robert Towne, Ring Paintings, and Origami, Fredrich Petzel Gallery, New York
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| 2006
| A Severe Insult to the Brain, Meyer Kainer gallery, Vienna
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| Midtown, Milton Keynes gallery, London
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| Artist in Focus, program in conjunction with Rotterdam Film Festival, Museum Boijmans Van Beuningen, Rotterdam
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| A Severe Insult to the Brain, Meyer Kainer Gallery, Vienna
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| Midtown, Milton Keynes gallery, London
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| Artist in Focus, program in conjunction with Rotterdam Film Festival, Museum Boijmans Van Beuningen, Rotterdam
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| 2005
| Los Angeles, Kestner Gesellschaft, Hannover
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| Los Angeles, Aldrich Museum, Ridgefield, Connecticut
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| Endeavor, Palais de Tokyo, Paris
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| Los Angeles, Friedrich Petzel gallery, New York
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| To Film a Though in Action, Moderna Musseet, Stockholm
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| Los Angeles Drawings, Galerie Aurel Scheibler, Berlin
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| 2004
| Los Angeles, White Cube, London
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| Bar Nothing, Galerie Max Hetzler, Berlin
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| 2002
| Palais de Tokyo, Paris
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| Capital, Site Santa Fe, Santa Fe
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| Cinecity: The Films of Sarah Morris' Hirshhorn Museum, Washington, D.C.
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| Project #77, MOMA, New York
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| Sarah Morris, Meyer Kainer gallery, Vienna
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| 2001
| Crystal, Friedrich Petzel Gallery, New York
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| Dulles, Galerie Aurel Scheibler, Cologne
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| Correspondence, Nationalgalerie im Hamburger Bahnhof, Museum fur Gegenwartskunst, Berlin
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| 1999
| Friedrich Petzel Gallery, New York
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| 1998
| Galerie Max Hetzler, Berlin
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| 1996
| One False Move White Cube, London
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| Drawings, Anton Kern, New York
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| 1994
| Try God Nicole Klagsburn, New York
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| 1993
| Sarah Morris, Close-Up, New York
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| 1992
| CitizensKunsthall, New York
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| |
| 2012
| David Smith/ Sarah Morris/ Ernst Caramelle, Wexner Center for the Arts, Columbus Ohio
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| 2011-2012
| Erschaute Bauten, Museum für angewandte Kunst, Wien
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| 2010
| Morality Act I / Act II, Witte de With, Rotterdam
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| Contemplating the Void - Interventions, Guggenheim Museum, New York
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| 2008
| Always There,
Galerie Max Hetzler, Berlin (catalogue)
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| Art is for the Spirit: Works from the UBS Art Collection,
Mori Art Museum, Tokyo
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| Beyerle Stiftung, Basel
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| 2007
| When We Build, Let Us Think That We Build Forever, BALTIC The Centre for Contemporary Art, Gateshead, UK
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| Soufflé, eine Massenausstellung, curated by Franz West, Kunstraum, Innsbruck, Austria
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| Perspektiv 07, Lenbachhaus, Munich
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| Contemporary Galleries Collection, San Antonio Museum of Art, San Antonio, TX, USA
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| Reflection, Pinchuk Art Centre, Kiev, Ukraine
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| 2006
| Carbonic Anhydride, Galerie Max Hetzler, Berlin
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| Busy Going Crazy, La Maison Rouge, Paris
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| This is America, Centraal Museum, Utrecht, Netherlands
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| Intouchable, l’idéal transparence, curated by Guillaume Désanges et François Piron, Villa Arson, Nice
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| All Hawaii Entrées/Lunar Reggae, curated by Philippe Parreno, Irish Museum of Modern Art, Dublin
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| Nouvelles acquisitions, Musée d’Art Moderne de la Ville de Paris, Paris
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| 2005
| Ambiance, K21 Kunstsammlung NRW, Düsseldorf
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| Big Bang, Centre Pompidou, Paris
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| Architecture Invisible, Centre Culturel Suisse, Paris
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| Present perfect, Friedrich Petzel Gallery, New York
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| 2004
| Kunstforeningen, Copenhagen
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| Films by Sarah Morris, NFT, London
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| If Direction, If A Look, Javier Lopez, Madrid
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| Los Angeles, film screening, Anthology Film Archives, New York
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| A Survey of Film Projects, Ballroom Marfa, Texas
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| Treasure Island, Kunstmuseum Wolfsburg, Germany
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| 2003
| La Question, Magasin Centre d´art contemporain, Grenoble, France
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| Days Like These: The Late Triennial Exhibition of Contemporary British Art, Tate Britain, London
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| Painting Pictures, Painting and Media in the Digital Age, Kunstmuseum Wolfsburg, Germany
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| Sodium Dreams, Center for Curaorial Studies Museum, Bard College, New York
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| Fast Forward - Media Art, ZKM, Karlsruhe, Germany
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| Imagination, Perception in Art, Kunsthaus Graz, Austria
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| 2002
| Public Affairs, Von Beuys bis Zittel: Das Öffentliche in der Kunst, Kunsthaus Zurich
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| Centre of Attraction, 8th Baltic Triennial of International Art, Contemporary Art Centre, Vilnius, Lithauen
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| Le Paysage dans l´art d´aujourd´hui, Maison de la Culture de Bourges, Bourges
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| Ruina e Utopia, Centro Cultural Banco do Brasil, Rio de Janeiro
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| Minimalism and After, Sammlung Daimler Chrysler, Berlin
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| Busan Biennale, Busan, Korea
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| Rapture: Art´s Seduction by Fashion since 1970, Barbican Art Gallery, London
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| Embracing the Present: The UBS PaineWebber Art Collection, The Portland Art Museum, Portland
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| 2001
| A Pied D'Oeuvre Bibliotheque Nationale de France, Paris
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| Sao Paolo Biennale, Brazil
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| Painting on the Move, Kunsthalle Basel
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| Beautiful Productions Whitechapel Art Gallery, London
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| Playing Amongst the Ruins, Royl College of Art Galleries, London
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| Hybrids, Tate, Liverpool
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| Comfort: Reclaiming Place in a Virtual World, Cleveland Center for Contemporary Art
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| Beau Monde: Toward a Redeemed Cosmopolitanism, 4th Site Santa Fe Biennial, Santa Fe, (curated by Dave Hickey)
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| 2000
| Confusion, Nationalgalerie im Hamburger Bahnof, Museum für Gegenwart, Berlin
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| AM/PM, Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin
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| What If: Art on The Verge of Architecture and Design, Moderna Museet, Stockholm
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| Flakk, Nordic House, Reykjavik
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| Public Culture, Private Nature, Sommer Contemporary Art, Tel Aviv
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| Zeitgenossen/Contemporarians: Malerei/Paintings, Galerie Editions Kunsthandel GmbH, Essen
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| Homes, Gallery of Western Australia, Perth
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| 1999
| Post-hypnotic, Atlanta College of Art Gallery, Atlanta, Georgia
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| Sans Reserve 1, Musées d'Art Moderne et Contemporain, Strasbourg
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| Between London and New York, Taché-Lévy Gallery, Brussels
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| Malerei, Kunsthalle Berlin
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| Trans/sphere, FRAC Poitou-Charentes, Angoulême, France
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| Le Capital, Contemporary Art Centre, Sète; France
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| Tang, Turner & Runyon, Dallas
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| Plug In, Salon 3, London
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| Concrete Ashtary, Friedrich Petzel Gallery, New York
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| Fotografische Recherchen in der Stadt, Österreichische Galerie Belvedere, Vienna
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| Art lovers. Liverpool Biennial, Compton House, Liverpool
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| Frieze, Institute of Contemporay Art, Boston
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| This is Yesterday, Centro Andaluz de Arte Contemporaneo, Spain
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| 1998
| I Love New York: Crossover der Aktuellen Kunst Museum Ludwig, Cologne
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| dijon/le consortium Centres Georges Pompidou, Paris
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| VideoStore!, Bricks and Kicks, Vienna
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| Young Americans 2 Saatchi Collection, London
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| Weather Everything (curated by Eric Troncy) Galerie fur Zeitgenossische Kunst Leipzig, Leipzig, Germany
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| Deep Thought Basilico Fine Arts, New York
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| La Table Air de Paris, Paris
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| Dumbpop Jerwood Gallery, Jerwood Foundation, London
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| Cluster Bomb Morrison Judd, London
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| Mostrato Fuori Uso 98, Pescara, Italy
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| Narrative Urge (curated by Catsou Roberts) Uppsala Konstmuseum, Sweden
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| 1997
| Hospital (organized by Sarah Morris), Galerie Max Hetzler, Berlin
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| Dramatically Different (curated by Eric Troncy) Centre National D'Art Contemporain De Grenoble, Grenoble
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| Group Show: Miltos Manetas, Florence Manlik, Sarah Morris, Jack Pierson, Gary Simmons, Laurie Simmons, Georgina Starr,Galerie Philippe Rizzo, Paris
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| Posture: A Survey of Contemporary Figuration
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| David Klein Gallery, Michigan
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| Painting, Photography, Drawing Anton Kern Gallery, New York
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| 1996
| Found Footage Klemens Gasser and Tanya Grunert, Cologne
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| Pop Planet Theoretical events, Naples
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| 1995
| Group Show (organized by Jeff Koons), Nicole Klagsbrun, New York
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| B - Movie (organized by Sarah Morris), San Francisco Art Fair, Phoenix Hotel, San Francisco
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| More Than Real Gallery 400, School of Art and Architecture, University of Chicago
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| 1994
| Summer Group Show Nicole Klagsbrun, New York
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| Please Don't Hurt Me Galerie Snoie, Rotterdam; Cabinet Gallery, London
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| 1993
| Lucky Kunst 2 Silver Place, London
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| Home Alone (organized by Sarah Morris and Ricardo de Oliveira), 211 East 10, New York
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| Evidently, 1993 Dooley Le Capellaine Gallery, New York
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| More Than Real Gallery 400, School of Art and Architecture, University of Chicago
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| 1992
| Curio Shop Thread Waxing Space, New York
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| 1991
| Group Show P.P.O.W., New York
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| Group Show Postmasters Gallery, New York
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| 1990
| Series Postmasters Gallery, New York
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| Open Studio Whitney Museum of American Art Independent Study Program, New York
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