| |
| 2011
| Joe Zucker, A Unified Theory, Mary Boone Gallery, New York
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| 2010
| Mary Boone Gallery, New York
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| 2008
| Joe Zucker: Plunder 1977 to 2008, NYEHAUS, New York
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| Susanne Hillberry Gallery, Ferndale, MI
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| The Good, the Bad and the Ugly, ScheiblerMitte, Berlin
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| 2006
| "Open Storage: New Paintings", Paul Kasmin Gallery, New York
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| Container Ships, Nolan/Eckman Gallery, New York
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| Joe Zucker: works on paper from the 1970´s, Studio B, Los Angeles
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| 141 Dragon Street, Dallas, TX
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| 2005
| Interior – Exterior, Galerie Aurel Scheibler, Köln
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| 2004
| Unhinged, Paul Kasmin Gallery, New York
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| Drawings 1977-2003, Nolan/Eckman Gallery, New York
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| 2003
| Lyman Allyn Art Museum, New London, CT
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| GBE Modern, New York
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| 2001
| Joe´s Lakes, Galerie Aurel Scheibler, Köln
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| Nolan Eckman Gallery, New York
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| 1999
| Track 16 Gallery, Bergamot Station Arts Center, Santa Monica (Katalog)
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| Guild Hall, East Hampton, New York
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| 1998
| Galerie Fred Jahn, München
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| Galerie Aurel Scheibler, Köln
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| 1997
| The Plimsoll Line, Danese Gallery, New York
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| Nolan Eckman Gallery, New York
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| 1994
| Aurel Scheibler, Köln
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| Nolan Eckman Gallery, New York
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| Anderson Gallery, Buffalo
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| 1993
| Hirschl & Adler Modern, New York
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| Texas Gallery, Houston
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| Aurel Scheibler, Köln
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| American Association for the Advancement of Science, Washington D.C.
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| 1992
| The Parrish Art Museum, Southhampton (Katalog)
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| Nancy Drysdale Gallery, Washington, D.C.
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| Galerie Simonne Stern, New Orleans
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| 1991
| Hirschl & Adler Modern, New York
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| Aurel Scheibler, Köln (Katalog)
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| 1989
| Hirschl & Adler Modern, New York (Katalog)
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| 1988
| The Arts Club of Chicago, Chicago (Katalog)
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| Texas Gallery, Houston
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| Carol Getz Gallery, Coconut Grove
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| 1987
| Hirschl & Adler Modern, New York (Katalog)
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| 1985/86
| Queens Museum, New York (Katalog) Wanderausstellung
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| 1984
| Daniel Weinberg Gallery, Los Angeles
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| Holly Solomon Gallery, New York (Katalog)
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| The Mayor Gallery, London
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| Reed College, Portland
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| Susanne Hillsbury Gallery, Birmingham
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| 1983
| Daniel Weinberg Gallery, San Francisco
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| Fay Gold Gallery, Atlanta
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| Texas Gallery, Houston
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| 1982
| La Jolla Museum of Contemporary Art, La Jolla, Kalifornien
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| Albright-Knox Art Gallery, Buffalo (Katalog)
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| Macintosh Drysdale Gallery, Washington D.C.
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| Nina Freudenheim Gallery, Buffalo
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| 1981
| University Art Museum, Berkeley, Kalifornien (Katalog)
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| Pace Editions, New York
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| Yarlow/Salzman Gallery, Toronto
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| The Mayor Gallery, London
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| Galerie Strelow, Düsseldorf
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| Holly Solomon Gallery, New York
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| Dart Gallery, Chicago
|
| 1980
| Holly Solomon Gallery, New York
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| Pace Editions, New York
|
| 1979
| Holly Solomon Gallery, New York
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| The Mayor Gallery, London
|
| Galerie Bischofberger, Zürich
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| 1978
| Young/Hoffman Gallery, Chicago
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| Holly Solomon Gallery, New York
|
| Galerie Gillespie-Laage, Paris
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| 1977
| Hall Bromm Gallery, New York
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| 1976
| Baltimore Museum of Art, Baltimore (Katalog)
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| Bykert Gallery, New York
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| Texas Gallery, Houston
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| Protech Gallery, Washington D.C.
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| 1975
| Daniel Weinberg Gallery, San Francisco
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| Bykert Gallery, New York
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| 1974
| Bykert Gallery, New York
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| Texas Gallery, Houston
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| Jacobs Ladder Gallery, Washington D.C.
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| 1968
| Collectors Gallery, Walker Art Center, Minneapolis
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| 1967
| Adele Rosenberg Gallery, Chicago
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| 1966
| Adele Rosenberg Gallery, Chicago
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| Zolla/Lieberman Gallery, Chicago
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| R.G. Silverman Gallery, Chicago
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| 1965
| Heistand Hal Art Gallery, Miami
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| |
| 2009
| Exile on Main Street: Humour, Exaggeration & Anti-Authoritarianism in American Art, Bonnefantenmuseum, Maastricht
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| Artists of the gallery, Galerie Aurel Scheibler, Berlin
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| SYNTHETIC, Whitney Museum, New York
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| 2008
| Second Thoughts, Bard College, NY
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| 2007
| Summer Group Show, David Nolan Gallery, New York
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| 2005
| Fictions, 109 Crosby Street Gallery, New York
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| Works on Paper, Riverhouse Editions, Steamboat Springs
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| Museum Collection, Parish Art Museum, Southampton
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| 2004
| 4 und 4: Curators Choice New York/Berlin, Müllerdechiara, Berlin
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| Mind over Manner, Galerie Grimm/Rosenfeld, München
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| 2003
| The American Landscape, Paul Kasmin Gallery, New York
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| Black in Black, Cohen, Leslie and Brown Gallery, New York
|
| 2002
| New Works, Nolan/Eckman Gallery, New York
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| 2001
| Modernism, The Armory, New York
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| 2000
| Black & White, Anita Friedman Gallery, New York
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| 1999
| Selected Works, Nolan/Eckman Gallery, New York
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| Invitational Exhibition of Painting and Sculpture, American Academy of Arts/Letters, New
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| 1998
| Amerikanische Zeichnungen, Galerie Tony Wuethrich, Basel
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| Dreams for the Next Century: A View of the Collection, The Parrish Art Museum, Southhampton
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| Masters of the Masters, MFA Faculty of the School of Visual Arts, New York, 1983-1998 Butler Institute of American Art, Youngstown
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| 1997
| Selected Works, Danese Gallery, New York
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| Drawings, Nolan/Eckman Gallery, New York
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| Richard Artschwager: Drawings & Joe Zucker: The Making of the Painting
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| Jolly Roger 1978, Nolan/Eckman Gallery, New York
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| 1997
| 1977 Biennial Exhibition, Whitney Museum of American Art, New York (Kat.)
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| Drawings, Carl Solway Gallery, New York
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| Paintings, Hal Bromm Gallery, New York
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| 1996
| 1983 Biennial Exhibition, Whitney Museum of American Art, New York (Kat.)
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| Back to the USA, Kunstmuseum, Luzern, Wanderausstellung (Kat.)
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| From Minimalism to Expressionism, Whitney Museum of American Art, New York (Kat.)
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| New Decorative Art, The Berkshire Museum, Pittsfield
|
| Musée Cantonal des Beaux-Arts, Lausanne
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| Drawing Conclusion, Daniel Weinberg Gallery, San Francisco
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| Arrival, Guild Hall Museum, East Hampton
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| National Drawing Invitational, Sarah Spurgeon Fine Arts Gallery, Ellensberg
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| 1996
| A Contemporary Collection on Loan from the Rotschild Bank Zürich,
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| La Jolla Museum of Contemporary Art. La Jolla
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| New Image: Pattern and Decoration, Kalamazoo (Wanderausstellung)
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| Ornamentalism, The New Decorativeness in Architecture and Design,
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| The Hudson River Museum, Yonkers
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| Think, Galerie Brigitte Ihsen, Köln
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| Disegni Americani Degli Anni Ottanta 15 Artisti, La Galleria Milano, Mailand
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| Method and Multiplicity, Apex Art, New York
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| 1995
| Murder, Bergamot Station Art Center, Santa Monica
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| Thread Waxing Space, New York, Centre Gallery, Miami-Dade Community College/Wolfson Campus, Miami (Kat.)
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| 1995 Biennial Exhibition, Whitney Museum of American Art, New York (Kat.)
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| Temporarily Possessed: The Semi-Permanent Collection,
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| The New Museum, New York (Kat.)
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| Inaugural Exhibition, Selected works fromt he Collection of Burton Tremain and Hugh Freund, The Hotchkiss School, Lakeville, CT
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| Eats; An American Obsession, Track 16 Gallery, Santa Monica
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| 1994
| A Few Words, Installation, Jewish Museum, New York
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| In the Process, Mary Delahoyd Gallery, New York
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| Mirrors, Parrish Art Museum, South Hampton, New York
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| 1993
| Achim Kubinski Presents: “What to say, what not to say“, Caren Golden Fine Arts, New York
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| Money, Nancy Drysdale Gallery, Washington D.C.
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| Western Myth: 20th Century Update, Aspen Art Museum, Aspen
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| Developing Language, Hirschl and Adlern Moder, New York
|
| 1992
| American Figurations, The Henie-Onstad Art Center, Hovikodden, Oslo (Kat.)
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| 1991
| Word as Image: American Art 1960-1990, Milwaukee Art Museum, Milwaukee (Kat.)
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| The Landscape Observed, Maryland Institute, Baltimore
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| 1988
| Artschwager: His Peers and Persuasion, Daniel Weinberg Gallery, Santa Monica
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| Porcelain: Past Forms, Present Tense, Artisian Space Fit, New York
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| 1987
| New Directions: Contemporary Art from Atlanta Collections,
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| Emory University Museum of Art and Archaeology, Atlanta (Kat.)
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| 1986
| An American Renaissance: Painting and Sculpture since 1940,
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| Fort Lauderdale Museum of Art, Fort Lauderdale (Kat.)
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| Alchimia, XXXII Biennale di Venezia, Venedig (Kat.)
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| Focus on the Image: Selections from the Rivendell Collection,
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| Phoenix Art Museum, Phoenix, Arizona Wanderausstellung (Kat.),
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| 1986
| Twombly, Wilmarth, Zucker, Hirschl and Adler Modern, New York (Kat.)
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| Group Show Anniversary, Gloria Luria Gallery, Miami
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| American Images, Blum-Helman Gallery, New York
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| 1985
| New Dimension Painting, Nina Freundheim Gallery, Buffalo
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| A New Beginning, Hudson River Museum, Yonkers
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| Precious: An American Cottage Industry of the Eighties, Grey Art Gallery, New York
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| At the Beach, A.P. Gallery, San Francisco
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| Annionta, Castel Sismondo, Rimini, Italien
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| Picture Frame-Frame Picture, Ganrielle Byers Gallery
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| A Decade of Visual Arts at Princeton 1975-85, Th Art Museum, Princeton
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| Modern Art From Friend´s Collections, Vassar Art Gallery, Poughkeepsie 1984
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| American Still Life 1945-1983, Neuberger Museum, Purchase, New York
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| A contemporary Focus 1974-1984, Hirschhorn Museum and Sculpture Garden, Washington, D.C. (Kat.)
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| The Elements: Weather in Art, Tweed Gallery, Plainfield
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| Towards the End of the Century, Galerie Venster, Rotterdam
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| The Innovative Landscape, Holly Solomon Gallery, New York
|
| Summer Group Exhibition, Holly Solomon Gallery, New York
|
| 1985
| Artists Call: 50 Artists / 50 Collectors, Leo Castelli Gallery, New York
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| The National Midyear Exhibition, The Butler Institute of American Art, Youngstown
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| Miami Contemporary Collectors, Metropolitan Museum of Art Center, Miami
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| Pressure of the Hand: Expressionist Impulses in Recent American Art,
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| Braneid Art Gallery, Potsdam (USA)
|
| Art on Paper, Weatherspoon Art Gallery, Greensboro
|
| 1982
| Aspects of Post-Modernism, Fay Gold Gallery, Atlanta
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| The Americans: The Collage, Contemporary Art Museum, Houston
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| New York Now, Kestner-Gesellschaft, Hannover, Wanderausstellung (Kat.)
|
| 1981
| New Directions, A Corporate Collection Selected by Sam Hunter, Sidney Janis Gallery, New York,
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| Morton G. Neumann Family Collection: Selected Works, The Art Institute of Chicago, Chicago
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| The Decorative Image, Mclntosh/Drysdale Gallery Washington
|
| Menagerie, Goddard - Riverside Community Center, New York
|
| For Trisha Brown Dance Company, Leo Castelli Gallery, New York
|
| Flying, Bernard Jacobson Ltd., New York
|
| Celebration III, New Museum, New York
|
| Landscape: Joe Zucker, Sam Cady, Brad Davis, Roy Lichtenstein, Neil Jenny, Holly Solomon Gallery, New York
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| A Penthouse Aviary, Art Lending Service, The Museum of Modern Art, New York
|
| 1980
| Dékor, Mannheimer Kunstverein, Mannheim, Wanderausstellung (Kat.)
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| Art in the Seventies, Aperto 80, XXXIX Biennale di Venezia, Venedig (Kat.)
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| Les Noveaux Fauves - Die Neuen Wilden, Neue Galerie Sammlung Ludwig, Aachen (Kat.)
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| Tendance Actuelle de la Peinture Americaine, Galerie Daniel Templon, Paris
|
| Pattern Pinting,The Greenburg Gallery of Contemporary Art, St. Louis
|
| Out of New York, The Root Art Center, Clinton
|
| Selections from a Colorado Collection, University of Colorado Art Galleries, Bolder
|
| American Painting of the Sixties and Seventies: The Real / The Ideal / The Fantastic, Montgomery Museum of Fine Arts, Montgomery
|
| Audrey Strohl Gallery, Memphis
|
| Fabric Into Art, Amelie A. Wallace Gallery, Old Westbury (Wanderausstellung)
|
| Decorative Fabrication, Institute of Contemporary Art of the Virgnia Museum, Richmond
|
| Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis
|
| Late 20th Century Art from the Sydney and Frances Lewis Foundation, The Toledo Museum of Art, Toledo (Wanderausstellung)
|
| New York on Paper, Douglas Drake Gallery, Kansas City
|
| Galerie Bruno Bischofberger, Zürich
|
| Museum of Contemporary Art, Chicago
|
| 1979
| 1979 Biennial Exhibition, Whitney Museum of American Art (Kat.)
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| New Painting/New York, Hayward Gallery, London (Kat.)
|
| The 1970s: New American Painting, Narodnimusej, Belgrad, Wanderausstellung (Kat.)
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| Other Media Visual Arts Gallery, Miami
|
| Sammlung Ludwig, Museum Moderner Kunst, Wien
|
| Patterning and Decoration on Art, The Mayor Gallery, London
|
| Comprehensive Drawings Show, Texas Gallery, Houston
|
| Narodnimuzej, Belgrad
|
| 1979
| Group Exhibition of Gallery Artists, Holly Solomon Gallery, New York
|
| The Grid Evanston Art Center, Evanston
|
| Late 20th Century Art from the Sydney and Frances Lewis Collection,
|
| Institute of Contemporary Art, University of Pennsylvania, Philadelphia
|
| Arttack, Otis Art Institute, Los Angeles
|
| 1978/79
| New Image Painting, Whitney Museum of American Art, New York (Kat.)
|
| Grids: Format and Image in the 20th Century, The Pace Gallery, New York, Wanderausstellung (Kat.)
|
| Storytelling in Art, The Museum of the American Foundation for the Arts, Miami
|
| Drawing Show, Mary Boone Gallery, New York
|
| 1978
| Willard Gallery, New York
|
| 1977/78
| Surrogates/ Self Portrait, Holly Solomon Gallery, New York
|
| Recent Work on Paper by American Artists, Madison Art Center, Madison
|
| 1977
| Patterning and Decoration, The Museum of the American Foundation for the Arts, Miami
|
| 1976
| The Great American Rodeo, The Fort Worth Art Museum, Fort Worth, Texas, Wanderaustellung (Kat.)
|
| Soho: Downtown Manhattan, Akademie der Künste, Berlin, Wanderausstellung (Kat.)
|
| Artschwager, Close, Zucker, Daniel Weinberg Gallery,
|
| San Francisco - La Jolla Museum of Contemporary Art, La Jolla, CA (Kat.)
|
| Paintings 75, 76, 77, Sarah Lawrence Gallery, Bronxville (Wanderausstellung)
|
| Edward Thorpe Gallery, New York
|
| Robert Mangold/ Joe Zucker, Max Protech Gallery, Washington D.C.
|
| A Selection of New Work, Texas Gallery, Houston
|
| Large Scale Works, Carl Solway Gallery, Cincinnati
|
| Ten Painters, Georgia State University, Atlanta
|
, One Hundred Distinguished Alumni, School of the Art Institute of Chicago Gallery, Chicago
| |
| Thickening Surface, Florida State University, Tallahasee
|
| 1975
| Artschwager, Gordon, Torreano, Zucker, Bykert Gallery, New York
|
| Artists Make Tous, The Clochtower, Institute for Art and Urban Recources, New York
|
| 22 Artists, Susan Caldwell Gallery, New York
|
| Aspects of American Art, Kriwin Galerie, Brüssel
|
| Contemporary Paintings: A Review of the New York Gallery Season, Joe and Emily Lowe Art Gallery, Syracuse (USA)
|
| 1974
| Texas Gallery, Housten
|
| 1974
| Nancy Holt, Joe Zucker, Bykert Gallery, New York
|
| A to Z Prints, Paintings and Sculpture, Prints on Prince Street, New York
|
| 1973/74
| 28 Painters of the New York Avant Garde, Saidyne Bronfman Center of the YM-YWHA, Montreal
|
| 1973
| Prospekt 73, Städtische Kunsthalle Düsseldorf (Kat.)
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| The Last PictureShow at 100 Prince: Zucker, Shields, Shapiro, Ruda, Quaytman, Paula Cooper Gallery, New York
|
| The Emerging Image, Storm King Art Center, Mountainville
|
| Jaime Davidovitch / Gordon Hart / Ralph Humphrey / Davis Novoros / Joe Zucker, Bykert Gallery, New York
|
| 1973/74
| 28 Painters of the New York Avant Garde, Saidyne Bronfman Center of the YM-YWHA, Montreal
|
| 1972
| New American Abstract Painting, Madison Art Center, Madison, Gallery Reese Palley, New York
|
| 1971
| Cecile Abish, Robin Bruch, Douglas Leichter, Tony Robbins, Joe Zucker, Bykert Gallery, New York
|
| 1969
| Jim Beres, Bob Duran, Joe Zucker, Bykert Gallery, New York
|
| Combinations, School of Visual Arts Museum, New York
|
| 1968
| Biennial Exhibition, Walker Art Center, Minneapolis (Kat.)
|
| 1967
| Joe Zucker and Bob Israel: Paintings, Sculpture and Drawings, Dayton´s Gallery 12, Minneapolis
|
| Small Paintings for Museum Collections, Department of Art, Albion
|
| 1966
| Racine Avenue, Chicago
|
| Black and White, Hyde Park Center, Chicago
|
| R.G. Silverman Gallery, Chicago
|
| 1965
| Twelve Chicago Painters, Walker Art Center, Minneapolis, Wanderausstellung (Katalog)
|
| Zolla/Liebermann Gallery, Chicago
|
| Chicago Painting, Hyde Park Center, Chicago
|
| Phalanx, Illinois Institute of Technology, Chicago
|
| Gerard Bernard Gallery, Laguna Beach
|
| Spectrum, McCormick Place, Chicago
|
| 1964
| Sixty-sixth Annual Exhibition of Artists of Chicago and Vicinity, The Art Institute of Chicago, Chicago
|
| Eye on Chicago: Avant Garde Painting and Sculpture, Herman Hall, Chicago
|
| Miami University, Oxford
|
| 1963
| Second Annual Chicago Arts Festival, McCormick Place, Chicago
|
| 1960/61
| Artists of Cincinnati and Vicinity, Cincinnati Art Museum, Cincinnati
|