| |
| 2023
| Alice Neel - Feels like Home, Orange County Museum of Art, Costa Mesa, California
|
| Alice Neel - Every Person is a New Universe, Munch Museum, Oslo
|
| 2022
| Alice Neel: Un regard engagé, Centre Georges Pompidou, Paris (Barbican Centre, London)
|
| 2021
| Alice Neel: People Come First, The Metropolitan Museum of Art, New York (Guggenheim Museum Bilbao; de Young Museum, Fine Arts Museums of San Francisco)
|
| 2019
| Freedom, David Zwirner, New York
|
| 2017
| The Great Society, Aurel Scheibler, Berlin
|
| Alice Neel – Uptown, David Zwirner, New York; Victoria Miro, London
|
| 2016 - 17
| Alice Neel – A Retrospective, Deichtorhallen, Hamburg / Foundation Vincent Van Gogh, Arles / Gemeentemuseum, Den Haag / Ateneum Art Museum, Helsinki
|
| 2015
| Alice Neel, Thomas Ammann Fine Art, Zurich
|
| Drawings and Watercolors 1927 - 1978, David Zwirner, New York
|
| Alice Neel, Xavier Hufkens, Brussels
|
| 2014
| Alice Neel. My Animals and Other Family, Victoria Miro, London
|
| 2013
| Alice Neel, nordiska akvarellmuseet, Skärhamn
|
| Alice Neel: People and Places. Paintings by Alice Neel, Gallery Hyundai, Seoul
|
| 2012
| Alice Neel: Late Portraits and Still Lifes, David Zwirner, New York
|
| 2011
| Alice Neel: Family, Douglas Hyde Gallery, Dublin
|
| Alice Neel: Men Only, Victoria Miro Gallery, London
|
| 2010
| Paintings and Drawings, Aurel Scheibler/ScheiblerMitte, Berlin
|
| Alice Neel: Painted Truths, The Museum of Fine Arts, Houston, Texas / Whitechapel Gallery, London / Moderna Museet Malmö, Malmö
|
| LA Louver, Los Angeles
|
| 2010
| Paintings and Drawings, Aurel Scheibler/ScheiblerMitte, Berlin
|
| Alice Neel: Painted Truths, The Museum of Fine Arts, Houston, Texas / Whitechapel Gallery, London / Moderna Museet Malmö, Malmö
|
| LA Louver, Los Angeles
|
| 2009
| Alice Neel, Selected Works, David Zwirner, New York
|
| Alice Neel, Nudes of the 1930s, Zwirner & Wirth, New York
|
| 2008
| Collector of Souls, Moderna Museet, Stockholm
|
| Exhibition of Drawings, Philadelphia, Moore College of Art and Design
|
| 2007
| Alice Neel: Pictures of People, Aurel Scheibler, Berlin
|
| 2005
| Alice Neel’s Women, The National Museum of Women in the Arts, Washington, D.C.
|
| 2004
| Alice Neel: A Chronicle of New York, Victoria Miro, London
|
| 2000
| Alice Neel: A Retrospective, The Whitney Museum of American Art, New York (Wanderausstellung), anschließend bei: Addison Gallery of American Art, ; Andover, Philadelphia Museum of Art, Philadelphia
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| Walker Art Center, Minneapolis
|
| The Denver Art Museum, Denver
|
| 1998
| Alice Neel: Men in Suits, Cheim & Read, New York
|
| Alice Neel: Men in Suits, Galerie Simonne Stern, New Orleans
|
| 1996 - 98
| Kinships: Alice Neel Looks at the Family, Tacoma Art Museum, travels to: Mills College Art Gallery, Oakland
|
| Sheehan Gallery, Whitman College, Walla Walla
|
| University Art Museum, University of California, Santa Barbara
|
| Boise, ID, Art Museum, Boise
|
| Museum of Art, Northampton
|
| Art, Palm Beach
|
| 1997
| Alice Neel: Paintings from the Thirties, Robert Miller Gallery, New York
|
| 1996
| The Pregnant Nudes of Alice Neel, Robert Miller Gallery, New York
|
| Alice Neel: Family Portraits and Other Works, Northfield Mount Herman Scholl
|
| 1995
| Alice Neel: The Complete Prints, The Gallery, Division of Art, Southern Methodist University, Dallas
|
| 1994
| Alice Neel: The Years in Spanish Harlem 1938-1961, Robert Miller Gallery, New York
|
| 1993
| Alice Neel, St. Johnsbury Athenaeum, St. Johnsbury (zwei Bilder wurden an der St. Johnsbury Academy gezeigt)
|
| 1992
| Linda Cathcart Gallery, Santa Monica
|
| Alice Neel 'in Spanish Harlem' Paintings From 1948 to 1958
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| National Gallery of Art, Washington, DC, Sonderinstallation bestehend aus 8 Arbeiten
|
| 1991
| Exterior/Interior: The Non-Figurative Work of Alice Neel, Tisch Gallery, Aidekman Arts Center, Tufts
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| University Art Gallery, Medford
|
| Alice Neel in Spanish Harlem, Dia Center for the Arts, Bridgehampton, NY
|
| 1990
| Alice Neel – Print Retrospective 1966-1973, Sragow Gallery, New York
|
| 1989
| Alice Neel and Diane Arbus: Children, kuratiert von John Cheim, Robert Miller Gallery, New York
|
| 1987-88
| Alice Neel, Paintings, Drawings, Watercolors, Jan Turner Gallery, Los Angeles, travelled to: Gallery Paule Anglim
|
| 1987
| Revealing the Spirit: Paintings by Alice Neel, Museum of Art, Olin Arts Center, Bates College, Lewiston
|
| Alice Neel Paintings and Drawings, Nassau County Museum of Fine Art, Roslyn, NY
|
| 1986
| Alice Neel: Paintings and Drawings, Nassau County Museum of Fine Art, Roslyn, NY
|
| Alice Neel Drawings and Watercolors, kuratiert von John Cheim, Robert Miller Gallery, New York
|
| 1985
| Alice Neel Perspectives series, Portland Art Museum, Portland
|
| Alice Neel Paintings Since 1970, kuratiert von John Cheim, Pennsylvania
|
| Academy of Fine Arts, Philadelphia
|
| 1984
| Robert Miller Gallery, New York
|
| Makler Gallery, Philadelphia
|
| 1983
| Alice Neel, Loyola Marymount University, Los Angeles
|
| Alice Neel Paintings, Suzanne Hilberry Gallery, Birmingham
|
| Hope College de Pree Art Center and Gallery
|
| Alice Neel, Works from the 20's, 30's, 40's and more, Edith C. Blum Art Institute, Bard College Center, Annandale-on-Hudson, NY
|
| Phoenix Gallery, New York
|
| Grimaldis Gallery, Baltimore
|
| 1982
| Alice Neel Non-Figurative Works: Still Lifes, Cityscapes, Landscapes, Interiors, Robert Miller Gallery, New York
|
| 1981 - 82
| National Academy of Sciences, Washington, D.C.
|
| 1981
| Suzanne Hilberry Gallery, Birmingham, MI
|
| Artist Union, Moscow
|
| Bennington College, Bennington, VT
|
| 1980
| Graham Gallery, New York
|
| Lancaster Community College, Lancaster
|
| Sarah Institute, New York
|
| Alice Neel: Paintings of Two Decades, Boston University Art Gallery, Boston
|
| Drury College, Springfield, MA
|
| 1979
| Middendorf Lane Gallery, Washington, DC
|
| Akron Art Institute, Akron, OH
|
| Williams College, Williamstown
|
| Alice Neel: A Retrospective Showing, Guild of Artists, Silvermine, New Canaan, CT in combination with the University of Bridgeport, CT
|
| 1978
| Artemesia Gallery, Chicago, IL
|
| Alice Neel, Fort Lauderdale Museum, Fort Lauderdale, FL
|
| 1978
| Alice Neel: A Retrospective of Watercolors and Drawings, Graham Gallery, New York
|
| Alverno College, Milwaukee
|
| Alice Neel Paintings, Art Gallery, New Art Center, Skidmore College, Saratoga Springs, NY
|
| State University of New York, Plattsburg, NY
|
| Alice Neel Paintings, Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, KS
|
| 1977
| Washington County Museum, Hagerstown
|
| Graham Gallery, New York
|
| University of Wisconsin, Oshkosh
|
| Lehigh University, Bethlehem, PA
|
| Queens College Library, Queens, NY
|
| 1976
| Choate School, Wallingford, CT
|
| Graham Gallery, New York
|
| 1975
| Portland Center for the Visual Arts, Portland
|
| Georgia Museum of Art, University of Georgia
|
| Alice Neel: The Woman and Her Work, Georgia, Athen
|
| Smith College, Northampton
|
| Hobart and William Smith Colleges, Geneva, NY
|
| American Can Collective, San Francisco
|
| University Center Gallery, University of the Pacific, Stockton
|
| 1974
| Alice Neel (Retrospektive), Whitney Museum of American Art, New York
|
| Old Mill Gallery, Tinton Falls
|
| Summit Art Center, Summit
|
| Graham Gallery, New York
|
| 1973
| Langman Gallery, Jenkintown
|
| 1972
| Bowling Green University, Bowling Green
|
| Bloomsburg State College, Bloomsburg
|
| 1971
| Moore College of Art, Philadelphia
|
| 1970
| Graham Gallery, New York
|
| 1969
| Nightingale Galleries, Toronto
|
| 1968
| Graham Gallery, New York
|
| 1967
| Maxwell Gallery, San Francisco
|
| 1966
| Graham Gallery, New York
|
| 1965
| Dartmouth College, Hanover, NH
|
| Fordham University, Bronx, NY
|
| 1963
| Graham Gallery, New York
|
| 1962
| Reed College, Portland
|
| 1960
| Old Mill Gallery, Tinton Falls
|
| 1954
| ACA Gallery, New York
|
| 1951
| New Playwrights Theater, New York
|
| 1950
| ACA Gallery, New York
|
| 1944
| Pinacotheca Gallery, New York
|
| 1938
| Contemporary Arts Gallery, New York
|
| 1926
| Havana, Kuba
|
| Achievement in Art, präsentiert von Präsident Jimmy Carter
|
| |
| 2023
| Dix und die Gegenwart, Deichtorhallen, Hamburg
|
| Nudes, LWL Museum für Kunst und Kultur, Münster
|
| 2021
| MOTHER!, Louisiana Museum of Modern Art, Humlebaek, Denmark (travelled to Kunsthalle Mannheim)
|
| 2021
| Close-Up, Fondation Beyeler, Basel
|
| 2019
| Soul of a Nation: Art in the Age of Black Power, de Young Museum, San Francisco / Brooklyn Museum, Brooklyn NY
|
| Au rendez-vous des amis, Aurel Scheibler, Berlin
|
| NEVER AGAIN. Art against War and Fascism in the 20th and 21st Centuries, Museum of Modern Art Warsaw
|
| 2018
| The Ethics of Scrutiny, Irish Museum of Modern Art, Dublin
|
| Soul Of a Nation: Art in the Age of Black Power, Crystal Bridges Museum of American Art, Bentonville
|
| 2017-18
| The American Dream. American Realism 1965-2017, Kunsthalle Emden
|
| 2017
| Soul Of a Nation: Art in the Age of Black Power, Tate Modern, London
|
| 2016
| These Strangers ... Painting and People, S.M.A.K. Gent, Belgium
|
| Coming to Power. 25 Years of Sexually Explicit Art by Women, Maccarone, New York
|
| Unfinished: Thoughts Left Visible, Met Breuer, New York
|
| 2015
| La Grande Madre, Palazzo Reale, Milan
|
| 2014
| Face Value. Portraiture in the Age of Abstraction, National Portrait Gallery, Smithsonian Institution, Washington D.C.
|
| Alice Neel/Erastus Salicbury Field. Painting the People, Bennington Museum, Vermont
|
| 2013
| Art for Society's Sake: The WPA and Its Legacy, Pennsylvania Academy of the Fine Arts
|
| To Be a Lady, Sundaram Tagore Gallery, Singapore
|
| 2012
| Künstlerkinder, Kunsthalle Emden
|
| We the People, Robert Rauschenberg Foundation, New York
|
| 2010
| The Expanding Eye-Art Inspired by Edgar Ellen Poe, University of Virginia Art Museum, Charlottesville
|
| Paint Made Flesh, Memorial Art Gallery of the University of Rochester
|
| Limners to Facebook: Portraiture from the 19th to the 21st Century, Asheville Art Museum
|
| Self-Consciousness, Veneklasen/Werner, Berlin
|
| In the Company of Alice, Victoria Miro Gallery, London
|
| 2009
| Judy Glantzman: The White Paintings, 1999-2001, Betty Cuningham Gallery, New York
|
| The Female Gaze: Women Look At Women, Cheim & Read, New York
|
| Edvard Munch 'Tribute and Inspiration' (Faurschou Copenhagen), Faurschou
|
| 2008
| Robert Mapplethorpe: Certain People, Sean Kelly Gallery, New York
|
| 2007
| Wack! Art and the Feminist Revolution, The Geffen Contemporary at MOCA, Los Angeles
|
| 2006
| The New Landscape/The New Still life: Soutine and Modern Art, Cheim & Read, NY
|
| 2001
| The Human Factor: Figuration in American Art, kuratiert von Dr. Daniel Siedell, Contemporary Art Center of Virginia, Virginia Beach
|
| 1998
| Bathroom, curated by Wayne Koestenbaum, Thomas Healy Gallery, New York
|
| 1997 - 1998
| Faces & Figures, Nassau County Museum of Art, Roslyn Harbor, NY
|
| 1997
| Feminine Image, Nassau County Museum of Art, Roslyn Harbor, NY
|
| Bourgeois, Holzer & Neel, Cheim & Read, New York
|
| 1996
| Are you Blue?, Schmidt-Bingham Gallery, New York
|
| 50/50: Fifty Artists from Fifty Years of Skowhegan, PaceWildenstein Gallery, New York (auch bei Robert Miller Gallery, New York)
|
| Summer Group Show, Robert Miller Gallery, New York
|
| Beat Culture and the New America, 1950-1965, M.H. de Young Memorial Museum, California Palace of the Legion of Honor, San Francisco
|
| Portraits, James Graham & Sons, New York
|
| Partners in Printmaking: Works from SOLO Impression, National Museum of Women in the Arts, Washington, DC
|
| 1995-96
| Face Value: American Portraits, The Parrish Art Museum, Southampton, NY (Wanderausstellung), anschließend bei: The Wexner Center for the Arts, ; Columbus, The Tampa Museum of Art, Tampa
|
| Voices of Conscience: Then and Now, ACA Galleries, NY
|
| 1995
| Face Value: American Portraits, The Parrish Art Museum, Southampton, NY
|
| Embody, Schmidt-Bingham Gallery, New York
|
| Poet Rebels of the 1950s, National Portrait Gallery, Washington DC
|
| Embody, Schmidt-Bingham Gallery, New York
|
| 1994 - 95
| Face-Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, PA (traveling to: Joslyn Art Museum Omaha, Weatherspoon Art Gallery, Greensboro
|
| 1994
| Aspects of Face and Form, Vanderwoude Tananbaum Gallery, New York
|
| Against All Odds: The Healing Powers of Art, (kuratiert von Sam Hunter und organisiert von The Hakone Open-Air Museum), The Ueno Royal Museum, Tokyo, Japan (Wanderausstellung), anschließend bei: The Hakone Open-Air Museum, Kanagawa-ken, Japan
|
| Realism & Figurative Painting, Cline Fine Art Gallery, Santa Fe
|
| 1993
| They Earn(ed) Their Keep, The Discovery Museum, Bridgeport
|
| Artists by Artists, Forum Gallery, New York
|
| I am the Enunciator, Thread Waxing Space, New York
|
| Coming to Power: 25 Years of Sexually X-Plicit Art by Women, David Zwirner, New York
|
| Third Williams Alumni Loan Exhibition: 200 Years of American Art, Williams Museum of Art, Williamstown
|
| Drawing the Line Against AIDS, Peggy Guggenheim Collection, Venice, Italy, under the aegis of the 45th Venice Biennale. Reinstalled at the Guggenheim ; Museum Soho, New York
|
| Abstract-Figurative, Robert Miller Gallery, New York
|
| Abstract-Figurative, Holly Solomon Gallery, New York
|
| 1992
| Arte Americana 1930-1970, Lingotto, Torino, Italy, organisiert von Independent Curators Incorporated, New York
|
| The Tenth Anniversary Exhibition: Adam and Eve, The Museum of Modern Art, Saitama, Japan
|
| The National Association of Women Artists: One Hundred Years, Carlsten Art Gallery, University of Wisconsin- Stevens Point
|
| Images of Children, The Peck School, Morristown
|
| Paint, Edward Thorp Gallery, New York
|
| Faces, The Roger Smith Hotel, New York
|
| Figurative Works from the Permanent Collection, Whitney Museum of American Art, New York
|
| 1991 - 92
| American Realism & Figurative Art: 1952-1990 (organisiert von John Arthur), The Miyagi Museum of Art, Miyagi, Japan, anschließend im Sogo ; Museum of Art, The Tokushima
|
| Modern Art Museum, The Museum of Modern Art, Shiga Kochi Prefectural Museum of Folk Art
|
| Figures and Faces, Klarfeld-Perry Gallery, New York
|
| 1991
| The Nude Drawings of the Figure by New York School Artists circa 1930-1950, Twining Gallery, New York
|
| Image & Likeness - Figurative Works from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, New York, Downtown at Federal
|
| Reserve Plaza, traveled to: Whitney Museum of American Art, Fairfield County
|
| Head-On/ The Modern Portrait - Artist's Choice: Chuck Close, The Museum of Modern Art, New York, traveled to: Lannan Foundation, Los Angeles
|
| Early Later, Whitney Museum of American Art at Champion, Stamford, CT
|
| Philadelphia Juvenile: The Art of Future Past, The Levy Gallery for the Arts in Philadelphia, Moore College of Art, Philadelphia
|
| Urban Icons, Klarfield-Perry, New York
|
| 1990 - 92
| National Association of Women Artists: 100 Years, The Albany Institute of History of Art, Albany, NY, traveled to: Fred Emerson Gallery, Hamilton College, Clinton, NY Tyler Art
|
| Gallery, SUNY at Oswego, NY, Art Museum, The Museums at Stony Brook, NY, Schweinfurth Memorial Art Center, Auburn, NY, Arnot Art Museum, Elmire, NY, Hyde Collection, Glens
|
| Falls, NY, Edna Carlsten Gallery, University of Wisconsin, Stevens Point, WI, Southern Museum, Portsmouth
|
| 1990 - 91
| Family Romance, Perry Rubinstein, New York
|
| 1990
| Group Show, Althea Viafora Gallery, New York
|
| Harmony & Discord: American Landscape Today, Virginia Museum of Fine Arts, Richmond
|
| Early/Later: Selected Works from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, (at Equitable Center), New York
|
| Some Seventies Works, Robert Miller Gallery, New York
|
| Figuring the Body, Foster Gallery, Museum of Fine Arts, Boston
|
| Black and White: Works on Paper, Linda Cathcart Gallery, Santa Monica
|
| Art What Thou Eat, Edith C. Blum Art Institute, Bard College, Annandale-on- Hudson, New York
|
| Figuring the Body, Henry and Lois Foster Gallery, Museum of Fine Arts, Boston
|
| Annie Sprinkle in Post Post Porn Modernist, RAW (Real Art Ways), Hartford
|
| 1989 - 90
| Making Their Mark, Women Artists Move Into the Mainstream 1970-85, Cincinnati Art Museum, Eden Park, traveled to: New Orleans Museum of Art, New Orleans, Denver Art
|
| Museum, Denver, Pennsylvania Academy of the Fine Arts, Philadelphia
|
| Food/Art/USA, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, traveled to: New York Historical Society, New York
|
| 1989
| 300 Years of Still Life, Michael Kohn Gallery, Los Angeles
|
| Art in Bloom: The Flower as Subject, Jacksonville Art Museum, Jacksonville
|
| From the Model, Selections from The Permanent Collection of the Whitney, Whitney Museum at Phillip Morris, New York
|
| A Decade of American Drawings: 1980-1989, Daniel Weinberg Gallery, Los Angeles
|
| Made in America, Virginia Museum of Fine Arts, Virginia Beach
|
| Contemporary Prints and Photographs from the Lowe Art Museum, University of Miami, University Galleries, College of Fine Arts, University of Florida, Gainsville
|
| Art in Place: Fifteen Years of Acquisitions, Whitney Museum of American Art, New York
|
| Face Off, Edward Thorp Gallery, New York
|
| American Figuration: The 1950s and 1960s, Rena Bransten Gallery, San Francisco
|
| 1988 - 89
| Portraits-Here's Looking At You, Anchorage Museum of Art, Anchorage, Alaska
|
| Portrait of the American Law, National Portrait Gallery, Washingto, DC
|
| 1988
| The Face, Arkansas Arts Center, Little Rock, AR
|
| Women Artists of the New Deal Era, A Selection of Prints and Drawings, The National Museum of Women in the Arts, Washington, DC
|
| Just Like A Woman, Greenville County Museum of Art, Greenville
|
| One Hundred Years: A Centennial Celebration of the National Association of Women Artists, Nassau County Museum of Fine Art, Roslyn Harbor, NY
|
| People, Compass Rose Gallery, Chicago
|
| 1987 - 89
| Frivolity and Morality: The Tradition of Vanitas in Contemporary Painting, Sherry French Gallery, New York, traveled to: Silvermine Guild, New Canaan, CT, The Noyes Museum, Oceanville, NJ, Knoxville Museum of Art Val Pariso University, Val Pariso, University of Arizona Museum of Art, Tuscon, Unversity of Utah Museum of Art, Salt Lake City Triton Museum of Art, Santa Clara, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, Tyler Art Gallery, SUNY at Oswego, NY
|
| 1987 - 88
| The Artist's Mother: Portraits and Homage, Hecksher Museum, Huntington, NY, traveled to National Portrait Gallery, Washington
|
| The Expressionist Landscape, Birmingham Museum of Art, Birmingham, AL, traveled to: IBM Gallery of Science and Art, New York, Everson Museum of Art, Syracuse, NY, Akron Art Museum, Akron, Vancouver Art Gallery, Vancouver, Canada
|
| 1987
| Contemporary Works on Paper, Vivian Horan Fine Art, New York
|
| American Art Today: The Portrait, The Art Museum at Florida International University, Miami, FL
|
| Still Life, Tibor de Nagy Gallery, New York
|
| Still Life, Rahr-West Art Museum, Manitowoc, WI
|
| Lust, One of the Seven Deadlies, M-13 Gallery, New York
|
| Pastel Anthology II, Grace Borgenicht Gallery, New York
|
| After Pollock: Three Decades of Diversity, Iannetti-Lanzone Gallery, San Francisco
|
| Art on Paper 1987, Weatherspoon Art Gallery, University of North Carolina at Greensboro
|
| 1986 - 87
| Boston Collects - Contemporary Painting & Sculpture, Museum of Fine Arts, Boston
|
| 1986
| The Male Nude: Women Regard Men, Hudson Center Galleries, New York
|
| Contemporary American Still Life, New Jersey State Museum, Trenton, NJ
|
| Portraits, New York Studio of Drawing, Painting and Sculpture, New York
|
| Summer Group Show, Robert Miller Gallery, New York
|
| Objects Observed, Summit Art Center, Summit, NJ
|
| 1985 - 86; The Surreal City, Whitney Museum of American Art at Philip Morris, New York, traveled to: Terra Museum of American Art, Evanston, IL, The Butler Institute of American
|
| Art, Youngstown, OH, Fred L. Emerson Gallery, Hamilton College, Clinton, NY, High Museum of Art, Atlanta, GA
|
| American Art: American Woman, Stamford Museum and Nature Center, Stamford, CT
|
| Nude, Naked, Stripped, Hayden Gallery, List Visual Arts Center, Massachusetts Institute of Technology
|
| 1985
| Not Just Black and White, City Gallery, New York
|
| Six Women Artists, New Woman Magazine, New York
|
| 10 Years Later, Wallace Wentworth Gallery, Washington, DC
|
| Focus on Realism: Selections from the Collection of Glenn C. Janss, The Boise Gallery of Art, Boise, ID
|
| Interior/Exterior, Koplin Gallery, Los Angeles, CA
|
| The Gathering of the Avant Garde: The Lower East Side, 1950-1970's, Kenkeleba House, New York
|
| American Women Artists, Peck School, Morristown, NJ
|
| Innocence and Experience, Greenville County Museum of Art, Greenville, SC (Wanderausstellung), anschließend bei: First Street Gallery, New York
|
| Visiting Artists, Kansas City Art Institute, Charlotte Crosby Kemper Gallery, Kansas City
|
| Memorial Exhibition, American Academy and Institute of Arts and Letters, New York
|
| Survival of the Fittest II, Ingber Gallery, New York
|
| Views: Interior & Exterior, Koplin Gallery
|
| 1984
| Flower as Image in Contemporary Art, Wave Hill, Bronx, NY
|
| New Realism: Behind the Scenes, College of the Mainland Art Gallery, Texas City
|
| American Women Artists (Part I: 20th Century Pioneers), Sidney Janis Gallery, New York
|
| Drawings, Tracey Garet Gallery, New York
|
| From the Beginning, Pratt Graphic Center, New York
|
| Women, Terra Museum of American Art, Evanston, IL
|
| The Richard and Jane Lang Collection, Seattle Art Museum, Seattle, OR
|
| The New Portrait, P.S.1, New York
|
| American Art Since 1970, Whitney Museum of American Art, New York, anschließend im La Jolla Museum of Contemporary Art, La Jolla, CA, Museo Tamayo, Mexico City, Mexico North, ; Carolina Museum of Art, Raleigh, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE, Center for the Fine Arts, Miami
|
| Humanism: An Undercurrent, University of South Florida Galleries, Tampa, FL
|
| An Other Vision: Selected Works by Women Artists in the Weatherspoon Collection, Weatherspoon Art Gallery, University of North Carolina at Greensboro
|
| Beauties & Beasts, Pratt Manhattan Center Gallery, New York
|
| The Human Condition: SFMMA Biennial III, San Francisco Museum of Modern Art, San Francisco
|
| Summer Group Show, Artist's Choice Museum, New York
|
| Celebration of the 80's, Palace Theater Art Gallery, Stamford, CT
|
| Robert and Jane Meyerhoff Gallery, Maryland
|
| Drawings by Contemporary American Figurative Artists, Institute College of Art, Baltimore
|
| Contemporary Artists in Vermont, Robert Hull Fleming Museum, Burlington, VT
|
| The Figure in 20th Century American Art, Metropolitan Museum of Art and the American Federation of Arts, New York, traveled to: Jacksonville Art Museum, Jacksonville, FL
|
| Oklahoma Museum of Art, Oklahoma City, National Academy of Design, New York, Terra Museum of American Art, Evanston, Arkansas Arts Center, Little Rock, Colorado
|
| Springs Fine Arts Center, Colorado Springs, Minnesota Museum of Art, Saint Paul
|
| Artist's Choice Museum: The First Eight Years, Artist's Choice Museum, New York
|
| 1983-92
| The Other American: Art and the Labour Movement in the United States, Neue Gesellschaft Für Bildende Kunst, Berlin, Wanderausstellung durch Europa bis Mai 1992
|
| 1983
| The Art of Still Life, Fendrick Gallery, Washington, DC
|
| Drawing Conclusions: A Survey of American Drawings: 1958 – 1983, Daniel Weinberg Gallery, Los Angeles
|
| Artists in the Historical Archives of the Women's Interart Center of New York City, Philadelphia College of Art, Philadelphia
|
| The Painterly Figure: Veteran Expressionist Figure Painters, Monique Knowlton Gallery, New York
|
| Walls of the 70's A Pluralist Exhibit, The QCC Art Gallery, Queensborough
|
| Five Artists and the Figure, Whitney Museum of American Art, Stamford
|
| Eight Women/Still Life, New Britain Museum, New Britain
|
| Art on Paper 1983, Weatherspoon Art Gallery, University of North Carolina at Greensboro
|
| Self Portraits, Linda Farris Gallery, Seattle, traveled to Municipal Art Gallery, Los Angeles
|
| Portrait Sculpture: Contemporary Points of View, Bethune Gallery, State University of New York, Buffalo
|
| The Painterly Figure, The Parrish Art Museum, Southampton
|
| Drawings, Suzanne Hilberry Gallery, Birmingham, MI
|
| American Realism1930's/1980's A Comparative Perspective, Summit Art Center, Summit
|
| American Still Life, 1945-83, Contemporary Arts Museum, Houston, anschließend im Columbus Museum of Art, Columbus, Albright-Knox Art Gallery, Buffalo, Neuberger Museum, Purchase, ; Portland Art Museum, Portland
|
| Realistic Directions, Zollar Gallery, Pennsylvania State University, University Park
|
| New Portraits: Behind Faces, Dayton Art Institute, Dayton
|
| Art and Culture of the American Labor Movement, Staatliche Kunsthalle Berlin
|
| 1982
| The Human Figure, Contemporary Arts Center, New Orleans
|
| Five Artists and the Figure, Whitney Museum of American Art, Stamford
|
| Woman: Subject and Object, Vanderwoude Tananbaum Gallery, New York
|
| Visiting Artist Invitational, Montclair State College, College Art Gallery, Upper Montclair
|
| Reflections on Realism, Carson Sapiro Gallery, Denver
|
| Portraits of Artists, Hewlett Gallery, Carnegie-Mellon University, Pittsburgh
|
| Terry Dintenfass Gallery, New York
|
| Portland Art Museum, Portland
|
| Newport Harbor Museum, Newport Beach
|
| Joslyn Art Museum, Omaha
|
| Hirschorn Museum and Sculpture Garden, Washington
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| Whitney Museum of American Art, New York
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| Sierra Nevada Museum of Art, Reno
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| Whitney Museum of American Art, Stamford
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| Contemporary Art Center, Dayton Art Institute, Dayton
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| The Aldrich Museum of Contemporary Art, Ridgefield
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| Lever House, New York
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| The Erotic Impulse, Roger Litz Gallery, New York
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| Still Life/Interiors, Contemporary Arts Center, New Orleans
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| New Portraits: Behind Faces, The Dayton Art Institute, Dayton
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| Aspects of Contemporary Realism, The William Patterson College of New Jersey, Wayne
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| Contemporary Self-Portraits, Alan Frumkin Gallery, New York
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| Figures, Kornblee Gallery, NY
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| 1981-82
| Inside Out: Self Beyond Likeness, Newport Harbor Museum, Newport Beach, anchließend im Portland Art Museum, Portland and Joslyn Art Museum, Omaha
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| 1981
| Contemporary American Realism Since 1960, Pennsylvania Academy of the Fine Art, Philadelphia, traveled to Virginia Museum of Fine Arts, Richmond, VA, Oakland Museum, Oakland, Gulbenkian Foundation, Lisbon, Sala de Exposiciones, Recoletos, Madrid, Germanisch National Museum, Nuremberg
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| Still Life Paintings and Drawings, Miami-Dade Community College, Miami
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| Still Life and Beyond, Silvermine Guild Galleries, New Canaan
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| Real, Really Real and Super Real: Directions in Contemporary American Realism, San Antonio Museum of Art, San Antonio, traveled to Indianapolis Museum of Art, Indianapolis, Tuscon
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| Museum of Art, Tuscon, Museum of Art, Carnegie Institute, Pittsburgh
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| Forum Gallery, New York
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| The Butler Institute of American Art, Youngstown
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| 1980
| The Figurative Tradition, Whitney Museum of American Art, New York
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| Renderings of the Modern Woman, University of Hartford, Hartford
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| Harold Reed Gallery, New York
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| Aspects of the 70's: Directions in Realism, Danforth Museum, Framingham
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| Originals, Graham Gallery, New York, exhibition based on the book, American Woman Artists, published by Simon & Schuster, 1979
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| 1979
| Six Painters of the Figure, Department of Fine Arts, University of Colorado
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| Woman, Harold Reed Gallery, New York
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| 1978
| WPA Show, Grey Art Gallery, New York
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| WPA Show, Parsons School of Design, New York
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| Squib Exhibition, Princeton
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| Sister Chapel, PS #1, New York
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| State University of New York, Stony Brook
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| 1977
| Nothing but Nudes, Downtown Whitney, New York
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| Recent Acquistions 1945-1975, Whitney Museum of American Art, New York
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| Artists Salute Skowhegan, Kennedy Galleries, New York
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| William Seitz Memorial, Princeton University, Princeton
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| 1976
| Everson Museum, Syracuse Unversity, Syracuse
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| Fendrick Gallery, Washington, DC
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| Portraits 1776-1976, Pennsylvania State University, University Park
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| Portraits of the Self and Others, Wildenstein Gallery, New York
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| Bicentennial Show, Philadelphia Museum of Art, Philadelphia
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| Los Angeles County Museum of Art, Los Angeles
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| 1975
| Randolph-Macon Woman's College, Lynchburg
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| National Academy of Design, New York
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| The Queen's Museum, Flushing, NY
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| Woman Chose Woman and Three Centuries of the American Nude, The New York Cultural Center, New York
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| The Minneapolis Institute of Arts, Minnesota
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| Candid Painting, De Cordova Museum, Lincoln
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| University of Houston Fine Art Center, Houston
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| International Biennale, Tokyo, Japan (drei Bilder)
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| 1974
| Women's Interart Center, New York
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| Samuel S. Fleischer Art Memorial, Philadelphia
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| Langman Gallery, Jenkintown
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| Philadelphia Civic Center, Philadelphia
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| The Queens Museum, Flushing, NY
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| 1973
| The New York Cultural Center, New York
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| Women's Interart Center, New York
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| School of Visual Arts Gallery, New York
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| Emily Lowe Gallery, Hofstra University, Hempstead, New York
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| American Academy of Arts and Letters, New York
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| 1972
| Whitney Museum of American Art, Painting Annual, New York
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| Colorado State University, Fort Collins
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| American Academy of Arts and Letters, New York
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| 1971
| National Academy of Design, New York
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| Whitney Museum of American Art, New York
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| 1969
| American Academy of Arts and Letters, New York
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| Mom, Apple Pie and the American Flag, Graham Gallery, New York
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| Studio Museum of Harlem, New York
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| Museum of Modern Art, New York, (Wanderausstellung)
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| National Institute of Arts and Letters, New York
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| 1968
| Museum of Modern Art, New York, (Wanderausstellung)
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| 1965
| Hassam Foundation
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| 1964 - 65
| The Emotional Temperatures of Art - Wanderausstellung, The American Federation of the Arts, New York
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| 1964
| The Contemporary Portraits, Byron Gallery, New York
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| Wadsworth Atheneum, Hartford
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| The Riverside Museum, New York
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| American Academy of Arts and Letters, New York
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| Silvermine Guild, New Canaan, CT
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| 1962
| Figures, Kornblee Gallery, New York
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| Zabriskie Gallery, New York
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| 1960
| ACA Gallery, New York
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| 1942
| WPA Exhibition, Macy's Department Store, New York
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| 1938
| The New Group, ACA Gallery, New York
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| 1933
| Boyer Gallery, Philadelphia
|