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| 2004
| About Painting, Tang Teaching Museum and Art Gallery at
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| Skidmore
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| College, Saratoga Springs, New York
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| 2003
| Pop Thru Art, Arario Gallery, Korea (Katalog)
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| PKM Gallery, Korea
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| We Love Painting, Contemporary American Art from the Misumi
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| Collection, Museum of Contemporary Art, Tokyo (Katalog)
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| My People Were Fair and Had Cum in their Hair (but Now They’re
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| Content To Spray Stars from your Boughs), kuratiert von Bob Nickas,
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| Team Gallery, New York
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| Auto – Nom Das Automobil in der Zeitgenossischen Kunst, NRW-
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| Forum Kultur und Wirtschaft, Dusseldorf (Katalog)
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| 2002
| The Drawings: Alan Saret and Peter Cain, Daniel Weinberg
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| Gallery, Los Angeles
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| 2001
| Cameraworks: The Photographic Impulse in Modern Art, Marianne
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| Boesky Gallery, New York
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| Inside Cars, Museum of Art, Fort Lauderdale; Traveled to the Davis
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| Museum and Cultural Center, Wellesley College; and Frederick R.
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| Weisman Art Museum, University of Minnesota, Minneapolis
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| (Katalog)
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| A Work in Progress: Selections from the New Museum Collection,
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| New Museum of Contemporary Art, New York
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| Tenth Anniversary Exhibition, 100 Drawings and Photographs,
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| Matthew Marks Gallery, New York (Katalog)
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| 1999
| Painting Pictures: Rendering the (Photo)real, Beaver College Art
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| Gallery, Glenside, Pennsylvania
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| 1998
| Painting Now and Forever: Part I, Matthew Marks Gallery and Pat
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| Hearn Gallery, New York
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| Sea Change, Parrish Art Museum, Southampton, New York
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| (Katalog)
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| C, Elizabeth Cherry Contemporary Art, Tucson
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| 1997
| Heart, Mind, Body, Soul: American Art in the 1990s. Selections from
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| the Permanent Collection, Whitney Museum of American Art, New York
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| Landscape: The Pastoral to the Urban, Center for Curatorial
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| Studies Museum, Bard College, Annandale-on-Hudson, New York
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| Project Painting, Basilico Fine Arts, New York (Katalog)
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| technological Drift, Lawing Gallery, Houston
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| American Art 1975-1995 from the Collection of the Whitney
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| Museum of American Art. Multiple Identities, Castello di Rivoli
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| Museo d’Arte Contemporanea, Turin (Katalog)
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| 1996
| Art at the End of the 20th Century, Selections from the Whitney
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| Museum of American Art, National Gallery, Alexandros Soutzos
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| Museum, Athen;
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| Traveled to Museu d’Art Contemporani, Barcelona and
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| Kunstmuseum, Bonn (Katalog)
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| 1995
| Biennial Exhibition, Whitney Museum of American Art, New York (Katalog)
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| Richard Artschwager, Peter Cain, Vija Celmins, Chuck Close,
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| Joseph Cornell, Robert Gober, George Stoll, Steve Wolf, Daniel
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| Weinberg Gallery, San Francisco
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| Summer Group Exhibition: Richmond Burton, Peter Cain, John
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| Chamberlain, Andreas Gursky, Roni Horn, Gary Hume, Andy Warhol,
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| Matthew Marks Gallery, New York
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| 25 Americans: Painting in the 90s, Milwaukee Art Museum Wisconsin (Katalog)
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| 1994
| Desire (Visionaire/DIFFA Benefit Exhibition), Charles Cowles Gallery, New York
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| The Institute of Cultural Anxiety, Works from the Collection, Institute
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| of Contemporary Arts, London (Katalog)
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| 1993
| Slittamenti, Venice Biennale
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| The Return of the Cadavre Exquis, The Drawing Center, New York.
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| Traveled to The Corcoran Gallery of Art, Washington, DC; Santa
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| Monica Museum of Art; Forum for Contemporary Art, St. Louis; and
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| American Center, Paris (Katalog)
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| Biennial Exhibition, National Museum of Contemporary Art, Seoul
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| An Anniversary Exhibition Part III, Daniel Weinberg Gallery, Santa Monica
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| Art, Money & Myth, Palm Beach Community College Museum of Art, Lake Worth
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| Everyday Life, Kim Light Gallery, Los Angeles
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| Pittsburgh Collects, Carnegie Museum of Art, Pittsburgh
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| Biennial Exhibition, 1993, Whitney Museum of American Art, New York (Katalog)
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| Drawing the Line Against AIDS, Peggy Guggenheim Collection,
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| Venice (under the aegis of the 45th Venice Biennale) (Katalog)
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| 1992
| 5th Anniversary Show, Karsten Schubert Ltd., London
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| Psycho, Kunsthall, New York
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| Summer Exhibition, Matthew Marks Gallery, New York
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| 1991
| Something Pithier and More Psychological, Simon Watson, New York
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| Someone or Somebody, Meyers/Bloom Gallery, Los Angeles
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| Paintings and Drawings, Daniel Weinberg Gallery, Santa Monica
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| Vertigo: The Remake, Galerie Thaddeaus Ropac, Salzburg
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| Just What is it that Makes Today's Homes so Different, so
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| Appealing?, The Hyde Collection, Glens Falls, New York (Katalog)
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| (Dis)member, Simon Watson, New York
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| We've Lost E.T. but the Boy's Coming Back, Peter Cain, Michael
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| Jenkins, Michael Landy, Karsten Schubert Ltd., London, (Katalog)
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| Benefit Exhibition, Act-Up, The AIDS Coalition to Unleash Power,
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| Paula Cooper and Matthew Marks Gallery, New York
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| 1990
| The Clinic, Simon Watson, New York
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| Pop 90, Postmasters, New York
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| The Children’s AIDS Project, A Benefit Exhibition, Daniel Weinberg
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| Gallery, Santa Monica
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| Vertigo, Galerie Thaddeaus Ropac, Paris
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