| |
| 2015
| Here and Elsewhere, Galerie Ron Mandos, Amsterdam, The Netherlands
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| 2014
| Middle Ending, Galerie Crone, Berlin, Germany
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| NSEW, Monte Clark Gallery, Vancouver, Canada
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| Widow’s Speak, Luis Adelantado,DF, Mexico
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| 2013
| Permanent Marker, Galeria Ron Mandos, Amsterdam, The Netherlands
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| Wandering Wild, La Galeria Particulier, Paris, France
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| 2012
| "Anthony Goicolea", Galerie Senda, Barcelona
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| 2011
| "Alter Ego: A Decade of Work by Anthony Goicolea," NC Museum of Art, Raleigh, NC, Telfair Museum, Savannah GA, 21c Museum, Louisville, KY (kat.)
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| 2010
| Home, Ron Mandos, Amsterdam
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| DECEMBERMAY, ScheiblerMitte, Berlin
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| Related, Houston Center for Photography (solo)
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| 2009
| Once Removed, Postmasters, New York
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| The Last Man Standing: Retrospective of Photography & Video works, Fireplace Project, Easst Hampton, NY
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| Related, Museum of Comtemporary Art, Denver
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| 2008
| Related I, ScheiblerMitte, Berlin
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| Related II, Haunch of Venison, London
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| Related III, Sandroni Rey, Los Angeles
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| Almost Safe, Monte Clark Galley, Toronto
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| 2007
| Almost Safe, Postmasters, New York
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| The Septemberists, Gallery Hyundai, Seoul, Korea
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| Gallery Hyundai, Seoul, Korea (mit Norbert Bisky und Martin Maloney)
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| Haunch of Venison, Zürich, Schweiz (mit Mat Collishaw)
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| 2006
| Drawings, Gallery Sandroni Rey, Los Angeles
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| The Septemberists, Galerie Aurel Scheibler, Berlin
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| The Septemberists: New Drawings, Photographs & Video, Monte Clark Gallery, Toronto
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| 2005
| Anthony Goicolea: Photographs, Drawings and Video, The Arizona State University Museum of Art, Tempe, AZ
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| Sheltered Life, Postmasters, New York
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| OUTSIDERS: Photographs and Video, The Contemporary Temporary Series, Cheekwood Museum of Art, Nashville, TN
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| Estaciones / Stations, Galeria Luis Adelantado, Valencia
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| Anthony Goicolea, Galeria Luis Adelantado Miami
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| 2004
| Tea Party, Video Installation, Madison Avenue, Calvin Klein Space, New York
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| Anthony Goicolea, New Videos, Spazio – (H), Mailand
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| Kidnap, Torch Gallery, Amsterdam
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| Kidnap, Sandroni-Rey, Los Angeles
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| Boys Will Be Boys, The John Michael Kohler Arts Center, Sheboygan, WI
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| Sheltered Life, Galerie Aurel Scheibler, Köln
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| 2003
| Contemporary Center of Photography, Melbourne
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| Videos, Gallery 845/LAAA, Los Angeles
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| Casa de Americas, Madrid
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| Cotthem Gallery, Brüssel & Barcelona
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| Gow Langsford, Auckland, New Zealand
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| Gow Longsford, Sydney, Australien
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| Photos & Films, The GREEN BARN, Sagaponack, NY (kuratiert von Edsel Williams)
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| Galerie Aurel Scheibler, Köln
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| 2002
| Neue Photographien und Zeichnungen, Galerie Aurel Scheibler, Köln
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| Art Space, Auckland
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| The Museum of Contemporary Photography, Chicago
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| Torch Gallery, Amsterdam
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| Arizona State University Art Museum, Tempe, AZ
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| Water, Sandroni-Rey, Los Angeles
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| Land, RARE, New York
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| 2001
| Detention, RARE, New York
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| MCMAGMA, Milano
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| Angstrom Gallery, Dallas, TX
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| The Corcoran College of Art and Design, Washington, D.C.
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| 2000
| SOLO, Vedanta, Chicago
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| Fabien Fryns, Marbella
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| Galeria Luis Adelantado, Valencia
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| 1999
| You and What Army, RARE, New York
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| |
| 2015
| I am, Always New, KCAD, Grand Rapids, MI
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| 2014
| A Book between two Stools, Boghossian Foundation, Brusells, Belgium.
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| Cuban America, An Empire State of Mind, Lehman College Art Gallery, Bronx, New York.
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| Vanitas, Works from the Collection of Stephane Janssen. Arizona State University Museum of Art
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| Hybridity, 21C Museum, Bentonville, AK
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| 2013
| The Adventures of truth, Levy Foundation Maeght, Saint-Paul-de-Vence, France
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| 2012
| 3am: Wonder and Paranoia, Bluecoat Gallery. Liverpool, UK
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| 2011
| Hide/Seek: Different and Desire in American Portraiture, Brooklyn Museum, New York
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| Late Summer Blues, Storefront Gallery, Brooklyn
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| "DEAD_Lines. Der Tod in Kunst-Medien-Alltag", Von der Heydt Kunsthalle Wuppertal- Barmen
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| 2010
| Haunted: Contemporary Photography/Video/Performance, Guggenheim Museum, New York
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| Stars and Models, International Fotofestival, Knokke-Heist, Belgium
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| 2009
| International Photography, Gow Langsford Gallery, Auckland, New Zealand
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| Generation, Art Gallery of Alberta, Edmonton, Alberta
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| Masculine: Interpretations of Manhood, Charles Cowles Gallery, NY
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| MI VIDA, From Heaven to Hell, Mücsarnok, Budapest
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| 2008
| Cobra to Contemporary, Artnews Projects, Berlin
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| Oh l’amour, Center for Creative Photography, University of Arizona, Tucson, AZ
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| Boys of Summer, The Fireplace Project, East Hampton, NY
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| Darger-ism: Contemporary Artists and Henry Darger, American Folk Art Museum, New York
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| Badlands: New Horizons in Landscape, Mass Moca, MA
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| Gen-X: Post-Boomers and the New South, Mobile Museum of Art, Mobile, AL
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| AMERIKA: Back to the Future, Postmasters, NY
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| People and Places: Selections from the Allen Thomas Jr Photography Collection, SECCA (Southeast Center of Contemporary Art), Winston-Salem, NC
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| Rethinking Landscape: Contemporary Photography from the Allen Thomas Jr. Collection,
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| |
| 2007
| Badlands: New Horizons in Landscape, MASS MOCA, North Adams
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| Gen-X: Post-Boomers and the New South, Mobile Museum of Art, Mobile
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| Darger-ism: Contemporary Artists and Henry Darger, American Folk Art Museum, New York
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| Existencias, MUSAC, Leon, España
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| Global Anzieties, College of Wooster Art Museum, Wooster
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| Innocence Now, Artspace Witzenhausen, Amsterdam
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| Role Exchange, Sean Kelly Gallery, New York
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| Krieg der Knöpfe, Landesgalerie Linz, Österreich
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| Ich wars nicht (kuratiert von Norbert Bisky), Haus am Waldsee, Berlin
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| Max. Durchfahrtshöhe, Galerie ScheiblerMitte, Berlin
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| Best of KunstFilmBiennale, Apeejay Media Gallery, New Delhi, India
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| New Directions in American Drawing, Columbus Museum, Columbus, GA
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| KunstFilmBiennale, vertreten durch SK Stiftung Kultur, Köln
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| 2006
| Krieg der Knöpfe, Ursula Blickle Stiftung, Kraichtal, Germany; Kunstmuseum Arhus; Landesgalerie, Linz
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| The Food Show, Chelsea Art Museum, New York
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| Will Boys Be Boys?, Indianapolis Museum of Art
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| Connivences, Collection Stéphane Janssen, Musée Dixelles, Belgique
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| Sensacions en Primeira Persona, CGAC, Santiago de Compostela, España
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| Modern Photographs, Miami Art Museum
|
| Looped: Engages in Time, CAS Gallery, University of Miami
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| Middle Ground: Photographs from the Whitney Museum of American Art, Columbia University, New York
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| Cintas Exhibition, Finalists, The Buena Vista Building, Miami
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| 2005
| Buenos Aires 7th Festival Internacional de Cine Independiente
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| KunstFilmBiennale, Köln
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| In Focus: Contemporary Photography from the Allen G. Thomas Jr. Collection,
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| The North Carolina Museum of Art, Raleigh, NC
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| Western Biennale (kuratiert vonEdward Lucie-Smith), The John Natsoulas Gallery, Davis
|
| Desvelar Lo Invisible, Videocreacion contemporanea, El Consejeria de Cultura y Deportes, Comunidad de Madrid
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| Mixed-Up Childhood, Auckland Art Gallery, Auckland
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| My So-Called Life, Monte Clark Gallery, Toronto
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| Observitori 2005, Museo de las Artes, Valencia
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| Narratives of the Presumed Invisible, Kunsthalle Lophem
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| 2004
| Tombe La Neige, Galerie Anne de Villepoix, Paris
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| Only Skin Deep: Changing Visions of the American Self, International Center of Photography, New York
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| A Fripon Fripon et Demi – Pour une école Buissonnière, Collection Lambert, Avignon, Frankreich
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| True Fictions – Lebende Bilder in der Fotokunst der Postmoderne, Stadtmuseum Hofheim/Taunus
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| The Amazing and the Immutable, University of South Florida Contemporary Art Museum, Tampa, FL
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| Nocturnal Emissions, Groninger Museum, Groningen, Niederlande
|
| Out of Place: Part II, Indianapolis Museum of Contemprary Art, Indianapolism, IN
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| Is One Thing Better Than Another, Galerie Aurel Scheibler, Köln
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| KunstFilmBiennale, Köln
|
| 2003
| Mursollaici, Centre Culturel Suisse, Paris
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| Interplay, Museo de Arte de Puerto Rico, Santurce
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| Child in Time, Gemeente Museum, Helmond, Niederlande
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| Naked Before God, The Museum of New Art, Parnu, Estland
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| Snowscape, Video Installation, Art Unlimited, Basel
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| Reality vs. Fiction, Jamaica Center for the Arts, Queen, NY
|
| Regarde, il neige (schizogéographie de la vie quotidienne), Centre national d’art et du paysage, Vassiviere, Frankreich
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| Mama’s Boy, White Columns, New York
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| 2002
| Situated Realities, Maryland Institute, College of Art, Baltimore, MD; MCAD Galleries, Minneapolis College of Art and Design, Minneapolis, MN; Alyce de Roulet Williamson Gallery, ; Art Center College of Design, Pasadena
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| Home Movies, SF Cameraworks, San Francisco
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| Hash Brown Potatoes, Smack Mellon Studios, Brooklyn
|
| Guide to Trust No. 2, Yerba Buena Center for Arts, San Francisco u.a.
|
| Whisper, Galerie Aurel Scheibler, Köln
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| Enough About Me, Momenta, Brooklyn
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| Constructed Realities, Grand Arts, Kansas City
|
| The Dubrow Biennial, Kagan Martos Gallery, New York
|
| Subjectivity: Photography of Themselves: Anthony Goicolea, Arno Minkkinen, Zhang Huan, Cindy Sherman, Morimura, Zhoa Bandi, Bob Carey, Arizona State University Art Museum, Tempe
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| Interplay: Miami, Design District, Miami
|
| 2001
| Collector’s Choice, Nassau County Museum of Art, Roslyn Harbor, NY
|
| For Skin, Henrique Faria Fine Arts, New York
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| ART Miami '01, Miami Beach
|
| 2000
| Good Business is the Best Art, The Bronx Museum
|
| Sidelong Glance, IM n IL, New York
|
| Flesh of the Boy, Flesh of the Girl, P.S. 122, New York
|
| Summer Show 2000, Angstrom Gallery, Dallas
|
| Untitled (Conjecture), SF Cameraworks, San Francisco
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| New New York, Texas Fine Arts Association, Austin
|
| Collectors Choice, EXIT ART, New York
|
| Artists’ Studio Benefit Tour 2000, Art in General, New York
|
| 1998
| Open, TATE, New York
|
| Gender (Con)sumption Assumption of Gender, The Bronx Museum of Art
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| Stony Brook Union Art Gallery, New York
|
| Artist in the Marketplace: Eighteenth Annual Exhibition, The Bronx Museum of Art
|
| CBGBÕs Gallery, New York
|
| Hard, TATE, New York
|
| Posers, White Columns, New York
|
| 1997
| Pierogi 2000 (flat files), Brooklyn
|
| Small Works Show, The Brooklyn Brewery, Brooklyn
|
| Manly, Art in General, New York
|
| Human Arts Gallery, Atlanta
|
| 450 Broadway Gallery, New York
|
| One (Boy) Show, The New Gallery, New York
|
| Human Arts Gallery, Atlanta
|
| 1996
| Clot: MFA Thesis Exhibition, Pratt Studios, Brooklyn
|
| The Smurf Problem, Calculator, New York
|
| K.O.A.P Gallery, New York
|
| Benefit for the Bailey House, Leo Castelli Gallery, New York
|
| Male, 124 Ridge Street Gallery, New York
|
| Sick, The New Gallery, New York
|
| 8th Floor Gallery, New York
|